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Art-house cinema
- Michelangelo Antonioni's depiction of alienation made him a symbol of art-house cinema with movies such as "Blow-Up" and "L'Avventura."
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Writer: Blow-Up. Together with Fellini, Bergman and Kurosawa, Michelangelo Antonioni is credited with defining the modern art film. And yet Antonioni's cinema is also recognized today for defying any easy categorization, with his films ultimately seeming to belong to their own distinctive genre.
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- Ferrara, Emilia-Romagna, Italy
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- Rome, Lazio, Italy
Jul 31, 2007 · Antonioni, whose name became synonymous with European art-house cinema in the 1960s, began his career as part of the Italian filmmaking movement known as Neorealism. Their style, says film...
Michelangelo Antonioni (/ ˌ æ n t oʊ n i ˈ oʊ n i /, Italian: [mikeˈlandʒelo antoˈnjoːni]; 29 September 1912 – 30 July 2007) was an Italian director and filmmaker.He is best known for his "trilogy on modernity and its discontents" —L'Avventura (1960), La Notte (1961), and L'Eclisse (1962)—as well as the English-language film Blowup (1966).
by Todd Ritondaro. Dec 20. Antonioni: A Neorealist of Italian Cinema. Antonioni’s films are not easy, they require patience and maybe a good bottle of wine. And like any good bottle, the more time passes, the more they open up. Trained originally as an artist and painter, and later film critic, he was a member of the Italian Neorealism movement.
Michelangelo Antonioni (born Sept. 29, 1912, Ferrara, Italy—died July 30, 2007, Rome) was an Italian film director, cinematographer, and producer noted for his avoidance of “ realistic” narrative in favour of character study and a vaguely metaphorical series of incidents.
Jan 16, 2019 · Features and reviews. What Antonioni’s movies mean in the era of mindfulness and #MeToo. He defined cool modernism on screen, setting his characters adrift in a world defined by alienation and loneliness. But do the films of Michelangelo Antonioni still speak to us in the 21st century? 16 January 2019. By Stephen Dalton. L'avventura (1960)
May 21, 2002 · Michelangelo Antonioni. Glen Norton’s site has a few links, a filmography and an essay “Antonioni’s Modernist Language” which suggests Antonioni’s is the first truly modernist cinema in its portrayal of incompleteness and alienation. Strictly Film School: Michelangelo Antonioni.
