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  1. Olivier Olivier

    Olivier Olivier

    R1993 · Drama · 1h 50m

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  1. Rating

    • Olivier, Olivier - Wikipedia
      • Oliver, Olivier has an approval rating of 88% on review aggregator website Rotten Tomatoes, based on 16 reviews, and an average rating of 7.6/10.
      en.wikipedia.org › wiki › Olivier,_Olivier
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  2. "Olivier, Olivier" is not as good as her 1991 movie was, but it comes so close, that I simply cannot give it less than 10/10. The most important character of the movie is Elizabeth Duval, Olivier's mother.

  3. Mar 3, 1993 · Olivier, Olivier: Directed by Agnieszka Holland. With Frédéric Quiring, Faye Gatteau, Emmanuel Morozof, Brigitte Roüan. Olivier, the nine-year-old son of Elisabeth and country veterinarian Serge, vanishes one afternoon on the way to his grandmother's house.

    • (1.8K)
    • Adventure, Crime, Drama
    • Agnieszka Holland
    • 1993-03-03
  4. Olivier, Olivier is a 1992 drama film directed by Agnieszka Holland. It entered the competition at the 49th Venice International Film Festival and won an award at the 1992 Valladolid International Film Festival. The plot involves a nine-year-old boy who disappears. When, six years later, he reappears in Paris, there are doubts about his identity.

  5. Questions about the tight-lipped Olivier's true motivations continue to crop up, however, threatening to send his mother over the edge for good. Olivier, the nine-year-old son of Elisabeth and...

  6. Sep 11, 1992 · Even before she made "Europa, Europa," Polish exile Agnieszka Holland had read a French newspaper story that inspired her to make "Olivier, Olivier," a seemingly simple but intriguing and ...

  7. 88% Tomatometer 16 Reviews 87% Audience Score 250+ Ratings Veterinarian Serge (François Cluzet) and his wife, Elisabeth (Brigitte Roüan), have two children, Olivier (Emmanuel Morozof) and Nadine...

    • (16)
    • Drama
    • R
  8. Based on a story that Holland read about in the French newspapers, Olivier, Olivier is a darkly seductive film which draws amusement from the fact that given the choice between a fiction with an implausible happy ending and a factual story with a more probable tragic denouement, most people will find the former much easier to believe.

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