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  2. Classification as film noir. Critical opinion is divided on whether or not Vertigo should be considered an example of film noir. Some consider it a film noir on the basis of plot and tone and various motifs, despite it having modernist visuals typical of the 1950s.

    • May 9, 1958
  3. However, with its strong psychological thrust and questions of identity, and deceit within relationships, as well as a murder which strangely for the era, goes unpunished, Vertigo has to be included as film noir. There are so many intentionally confusing relationships and set ups in Vertigo.

  4. www.imdb.com › title › tt0052357Vertigo (1958) - IMDb

    Vertigo: Directed by Alfred Hitchcock. With James Stewart, Kim Novak, Barbara Bel Geddes, Tom Helmore. A former San Francisco police detective juggles wrestling with his personal demons and becoming obsessed with the hauntingly beautiful woman he has been hired to trail, who may be deeply disturbed.

    • (417K)
    • Mystery, Romance, Thriller
    • Alfred Hitchcock
    • 1963-05-09
  5. Released: Paramount Pictures, May 9, 1958. 128 minutes (129 minutes, 1996 restored). II. From 1972 – 2012 Vertigo rises from unmentioned to #1; in 2022 it slipped to #2. In 2012, Vertigo was ranked the greatest film of all time by Sight and Sound, a monthly film magazine published by the British Film Institute.

  6. May 22, 2018 · The film stars James Stewart as Scottie Ferguson, a police detective forced to retire when a rooftop chase leads to the death of a colleague and a diagnosis of vertigo. Racked with guilt, Scottie sees a chance at redemption when an old college chum, Gavin Elster (Tom Helmore), asks him to tail his wife Madeleine (Kim Novak).

  7. Oct 13, 1996 · Vertigo” (1958), which is one of the two or three best films Hitchcock ever made, is the most confessional, dealing directly with the themes that controlled his art. It is *about* how Hitchcock used, feared and tried to control women.

  8. The revelation not only shocks Scottie out of his delusion but also forces the audience to reassess the narrative from a new perspective, highlighting the compelling interplay between reality and illusion in Vertigo. Why is the movie called Vertigo?

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