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    • Gothic suspense novel

      • The Thirteenth Tale (2006) by Diane Setterfield is a gothic suspense novel, the author's first published book.
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  2. The Thirteenth Tale (2006) by Diane Setterfield is a gothic suspense novel, the author's first published book. Plot. Vida Winter, a famous novelist in England, has evaded journalists' questions about her past, refusing to answer their inquiries and spinning elaborate tales that they later discover to be false.

  3. Sep 12, 2006 · The Thirteenth Tale is a gothic suspense novel from 2006 with echoes from several Victorian novels. The familiar device of a "story within a story" is employed, and sometimes it even contains another story.

    • (313.7K)
    • Hardcover
  4. The Thirteenth Tale. “A surprising, spellbinding tale richly imaginative and atmospheric, The Thirteen Tale is an exquisite debut novel. from an outstanding new voice in fiction”. The New York Times. Angelfield House stands abandoned and forgotten.

  5. Vida's strange, gothic tale features the Angelfield family; dark-hearted Charlie and his unbrotherly obsession with his sister, the fascinating, devious, and willful Isabelle, and Isabelle's daughters, the feral twins Adeline and Emmeline. Margaret is captivated by the power of Vida's storytelling, but she doesn't entirely trust Vida's account.

  6. Oct 9, 2007 · Margaret is mesmerized by the author's tale of gothic strangeness—featuring the beautiful and willful Isabelle, the feral twins Adeline and Emmeline, a ghost, a governess, a topiary garden and a devastating fire.

  7. This article relates to The Thirteenth Tale Definitions of a gothic novel abound but most sources agree that it is one in which supernatural horrors and an atmosphere of terror are pervasive, and where the action usually takes place in a dark, mysterious building, typically a castle built in the Gothic architectural style*.

  8. In what ways is The Thirteenth Tale a classic, gothic novel? Miss Winter frequently changes points of view from third to first person, from "they" to "we" to "I," in telling Margaret her story. The first time she uses "I" is in the recounting of Isabelle's death and Charlie's disappearance.

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