Vertigo (film)
1963
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Mar 28, 2023 · The Birds, for many reasons, is arguably Alfred Hitchcock’s most infamous film. Most people’s first thought, aside from, “Can you believe how far we’ve come with special effects?” is tied to...
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Proving once again that build-up is the key to suspense, Alfred Hitchcock successfully turned birds into some of the most terrifying villains in horror history. Melanie Daniels (Tippi Hedren ...
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- Alfred Hitchcock
- PG-13
- Rod Taylor
- Classic Hitchcockian Suspense
- The Theme of Nature Fighting Back
- Hitchcock’s Use of Silence
- George Tomasini’s Hugely Influential Editing
- Slow-Burn Pacing
- The Eerie Final Scene
- Three-Dimensional Protagonists
Hitchcock has been dubbed the “Master of Suspense” for his use of groundbreaking cinematic techniques like the bomb-under-the-table. His movies keep the audience on the edge of their seat, frightened for the protagonists and intrigued by the mysteries. The Birds is a prime example of a Hitchcockian suspense thriller. As always, it’s all about the b...
The reason for the birds’ relentless attack on humanity is never canonically explained in The Birds, but the premise can be read as an allegory for humans taking nature for granted or interfering with the natural order of things and facing the consequences of nature fighting back. RELATED: 10 Scariest Moments In Alfred Hitchcock Movies, Ranked As e...
Hitchcock usually hired Bernard Herrmann to compose frightful string orchestrations to punctuate his thrillers. The most iconic example, of course, is the piercing violin notes of “The Murder” underscoring Marion Crane being butchered in the shower in Psycho. With The Birds, Hitchcock forwent a traditional musical score and instead made careful use...
The Birds is “pure cinema” in that it puts much more focus on uniquely cinematic elements like cinematography and editing than elements borrowed from other mediums like acting and dialogue. George Tomasini, one of Hitchcock’s go-to editors who previously cut together Rear Window, Vertigo, North by Northwest, and Psycho, handled the editing of The B...
Hitchcock doesn’t rush into the genre thrills promised by the semi-apocalyptic premise of The Birds. Throughout the first half of the movie, the director takes the time to introduce the characters before the birds turn against them. RELATED: The 10 Best Hitchcock Villains, Ranked Fast-paced horror movies with nonstop unyielding terror, like Heredit...
The final scene of The Birds is one of the most famous endings in horror cinema. As the group gets ready to escape in Melanie’s car, hundreds of birds calmly gather outside the house and stare at them. None of the birds swoop down to attack; they all just perch around the house and ominously watch the group as they shuffle over to the car and quiet...
Horror movie protagonists are usually one-note archetypes, like the generic high schoolers found in most slashers and the interchangeable nuclear families who keep buying haunted houses, but The Birds’ human cast is filled with three-dimensional characters played by screen legends. There’s a biting irony in most of The Birds’ protagonists being unl...
Parents need to know that The Birds is a classic 1963 Alfred Hitchcock film that's loosely based on a same-named short story by Daphne du Maurier. It focuses on a series of sudden and unexplained violent bird attacks on the people of a small California coastal town. While less of a gore-fest than many….
Mar 28, 2017 · March 28, 2017 8:10am. Photofest. On March 28, 1963, Alfred Hitchcock premiered his Psycho feature follow-up, The Birds, in New York. The Hollywood Reporter’s original review, headlined “A Horror...
- James Powers
After watching The Birds, audiences will never look at birds in the same way ever again, which is perhaps Hitchcock's original intent. Full Review | Original Score: 4.5/5 | Mar 28, 2023
Mar 29, 2023 · The Birds combines the human, psychological horror Hitchcock perfected with his 1960 effort Psycho and mother nature’s terror, with both sides of the coin experienced by the viewer. This is augmented by the scope and power of the danger being essentially unfathomable to humans.
