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      • An acknowledged classic of doomed romanticism and atmospheric fatalism, this 1937 French film was such a hit on its release that Hollywood promptly remade it as “Algiers” and kept the original off U.S. screens for more than four years.
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  2. Pépé le Moko ([pe.pemo.ko]) is a 1937 French film directed by Julien Duvivier starring Jean Gabin, based on a novel of the same name by Henri La Barthe and with sets by Jacques Krauss.

  3. Oct 5, 2023 · Q: Is Pépé le Moko based on a true story? A: While the character Pépé le Moko is fictional, the film draws inspiration from real-life events and the criminal underground in the Casbah of Algiers. Q: Who plays the lead role in Pépé le Moko?

  4. Never seen him before but what a great actor. He flawlessly portrays the larger than life Pepe, yet completely manages to grounds him in reality, as we see Pépé struggle with the lack of control and the feeling of imprisonment, juxtapositioned so brilliantly against his sense of freedom and power in his little small town where he feels ...

  5. Apr 19, 2002 · An acknowledged classic of doomed romanticism and atmospheric fatalism, this 1937 French film was such a hit on its release that Hollywood promptly remade it as “Algiers” and kept the original...

  6. The notorious Pépé le moko (Jean Gabin, in a truly iconic performance) is a wanted man: women long for him, rivals hope to destroy him, and the law is breathing down his neck at every turn.

    • Pépé le Moko
    • Was Pepe le Moko a true classic?1
    • Was Pepe le Moko a true classic?2
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    • Was Pepe le Moko a true classic?5
  7. A precursor to the film noir melodramas Hollywood would begin churning out in just a few more years, Pepe Le Moko (1937) is a landmark of French poetic realism. The story follows Pepe (Jean Gabin), a wanted gangster, as he holes up with his gang in a hideaway in the Parisian neighborhood of Algiers.

  8. Jan 6, 2003 · To fully submerge into the antiquated, almost aboriginal mirage of Julien Duvivier’s Pépé le moko (1937), you cannot overlook its position as a cog in the dream-works of film history.

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