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The Immigrant is a 2013 American drama film directed by James Gray, starring Marion Cotillard, Joaquin Phoenix, and Jeremy Renner. It had its world premiere at the 2013 Cannes Film Festival where it competed for the Palme d'Or. [3] The film received generally positive reviews from critics.
May 16, 2014 · The way they try to reach out to each other is the crux and main drama of "The Immigrant." The film’s period recreation of New York in 1921 is meticulously drawn in rich, dark colors and chiaroscuro displays of light and shadow. Gray is a very conscious filmmaker who lets no visual detail escape his attention, and sometimes that has the ...
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May 14, 2014 · Shot with muted colors and a sepia tone by ace cinematographer Darus Khondji, "The Immigrant" evokes Kenji Mizougchi’s sorrowful tales of women forced into prostitution, yet it also draws directly on the experiences of Gray’s grandparents, Russian Jews who emigrated to New York in the early ‘30s. It’s his best, most personal film.
May 16, 2014 · I had a feeling I was in for a treat when I had the chance to interview James Gray recently. The American auteur, whose complex character studies have made him a fixture at Cannes, sees his latest, The Immigrant, hit theaters on May 16th. The classically-styled drama concerns the numerous trials a Polish woman named Ewa (Marion Cotillard ...
May 15, 2014 · James Gray. Runtime. 117 minutes. Rating. R. Cast. Marion Cotillard, Joaquin Phoenix, Jeremy Renner. The Immigrant ’s title and opening shot—a slow zoom out from the Statue Of Liberty, its ...
- Ignatiy Vishnevetsky
May 23, 2014 · The Immigrant: Directed by James Gray. With Marion Cotillard, Joaquin Phoenix, Jeremy Renner, Dagmara Dominczyk. In 1921, an innocent immigrant woman is tricked into a life of burlesque and vaudeville until a dazzling magician tries to save her and reunite her with her sister who is being held in the confines of Ellis Island.
May 16, 2014 · I t’s a mystery why James Gray’s The Immigrant isn’t a great movie. It looks like one, and sounds like one, summoning a vision of New York in the 1920s that rivals Coppola’s in The ...
