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  2. en.wikipedia.org › wiki › Opera_seriaOpera seria - Wikipedia

    Opera seria ( Italian pronunciation: [ˈɔːpera ˈsɛːrja]; plural: opere serie; usually called dramma per musica or melodramma serio) is an Italian musical term which refers to the noble and "serious" style of Italian opera that predominated in Europe from the 1710s to about 1770.

  3. opera seria, (Italian: “serious opera”), style of Italian opera dominant in 18th-century Europe. It emerged in the late 17th century, notably in the work of Alessandro Scarlatti and other composers working in Naples, and is thus frequently called Neapolitan opera. The primary musical emphasis of opera seria was on the solo voice and on bel ...

    • The Editors of Encyclopaedia Britannica
  4. Opera seria is a style of Italian opera that emerged in the late 17th century and was dominant in 18th-century Europe. It focused on the solo voice, bel canto, and virtuosic singing, with limited roles for the chorus and orchestra. Opera seria is characterized by its division into recitative and arias, with arias often following the da capo ...

  5. Feb 17, 2023 · opera seria: [noun] an 18th century opera with a heroic or legendary subject.

  6. Venice was, along with Florence and Rome, one of the cradles of Italian opera. Italian opera is both the art of opera in Italy and opera in the Italian language. Opera was in Italy around the year 1600 and Italian opera has continued to play a dominant role in the history of the form until the present day.

  7. Jul 17, 2023 · Opera Seria is serious, and formal, and deals with tragic themes from classical mythology or history, often featuring noble or heroic characters. Its musical style is grand, employing da capo arias (a musical form characterized by an ABA structure) for virtuosic displays. Image of an opera performance. Source: pexels.

  8. Serious opera. In the 17th and 18th cents., opera seria was the chief operatic genre, becoming very formal and complex, with elaborate display arias. Mythological subjects were the norm, and most of these were written for various composers by the librettist Metastasio. The last and greatest examples of the form were Mozart's Idomeneo (1781) and ...

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