Yahoo Web Search

  1. Ad

    related to: What is a symphonic poem?

Search results

  1. Dictionary
    Sym·phon·ic po·em
    /simˈfänik ˈpōəm/

    noun

    • 1. another term for tone poem

    Powered by Oxford Languages

  2. People also ask

  3. Symphonic poem, musical composition for orchestra inspired by an extra-musical idea, story, orprogram,” to which the title typically refers or alludes. The characteristic single-movement symphonic poem evolved from the concert-overture, an overture not attached to an opera or play yet suggestive.

  4. A symphonic poem or tone poem is a piece of orchestral music, usually in a single continuous movement, which illustrates or evokes the content of a poem, short story, novel, painting, landscape, or other (non-musical) source.

  5. A symphonic poem or tone poem is a piece of orchestral or concert band music, usually in a single continuous section (a movement) that illustrates or evokes the content of a poem, short story, novel, painting, landscape, or other (non-musical) source.

  6. Jul 16, 2023 · A symphonic poem or tone poem is a piece of orchestral or concert band music, usually in a single continuous section (a movement) that illustrates or evokes the content of a poem, short story, novel, painting, landscape, or other (non-musical) source. Hungarian composer Franz Liszt first applied the term to his 13 works in this vein.

  7. Meaning of symphonic poem A symphonic poem is a piece of orchestral music that evokes a non-musical idea, story, or image through different themes and their transformation. Symphonic poems are characterized by their single continuous movement and freedom of form in contrast to more structured musical forms like sonata form.

  8. Oct 19, 2023 · The meaning of SYMPHONIC POEM is an extended programmatic composition for symphony orchestra usually freer in form than a symphony.

  9. Oct 13, 2015 · Oct 13, 2015 by Angelica Frey. In 1851, Richard Wagner made a bold statement regarding the art of symphony: he claimed that, after Beethoven ’s substantial contribution to the genre, the symphonies that were composed after his death were just an “epilogue”, as they did not bring any significant innovation. Can we say he was right?

  1. People also search for