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Dec 27, 2018 · The two have worked together on all of Johnson’s films to date, most recently his blockbuster entry to the Star Wars franchise The Last Jedi. Yedlin is also credited as director of photography on...
Dec 19, 2017 · Johnson and Yedlin approached The Last Jedi with a similar mindset: Let's honor the Star Wars story but make this movie uniquely our own.
'Star Wars: The Last Jedi' cinematographer Steve Yedlin talks about working with Rian Johnson, crafting iconic shots, that Throne Room scene, and more.
Steve Yedlin on ‘Star Wars: Episode VIII’ Secrecy and the Science Behind Cinematography. Nick Newman November 29, 2016. Having seen and admired his work on several features, I could’ve only assumed that cinematographer Steve Yedlinis well-acquainted with his profession, yet I found myself surprised when digging into his presentation at ...
Feb 3, 2023 · Yedlin would go on to lens all of Johnson’s feature films, notably Looper and Star Wars: Episode VIII The Last Jedi. Their latest film, Glass Onion, is the follow-up to the 2019 blockbuster Knives Out.
Dec 30, 2017 · Whether it’s that final shot of the twin sunset on Ahch-To or Laura Dern’s Holdo crashing her ship into a First Order Destroyer, Steve Yedlin says his job as cinematographer on Star Wars: The Last Jedi was made easier because of the way director Rian Johnson wrote his script — with such a wealth of detail that the crew knew exactly how to ...
Steve Yedlin, the cinematographer of Star Wars: the Last Jedi, has a couple of videos on his website where he argues that beyond full HD (1080p) resolution is largely meaningless and has little impact on the viewing experience.
