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Negotiating female and lesbian identity
- Marie Laurencin played a significant role in negotiating female and lesbian identity in early-20 th century modern art movements dominated by men.
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Marie Laurencin played a significant role in negotiating female and lesbian identity in early-20 th century modern art movements dominated by men. From early in life, Laurencin was predominantly interested in worlds in which women moved independently and peacefully, creating self-portraits and scenes featuring animals and women which were ...
- French
- October 31, 1883
- Paris, France
- June 8, 1956
Founder Masahiro Takano was enamored with Laurencin's sensual and lyrical worldview, and the museum holds over 600 art pieces by her. Laurencin's work is also found in The Museum of Modern Art in New York, the Barnes Foundation in Philadelphia, the Hermitage Museum in St. Petersburg, and the Tate Gallery in London.
Jan 16, 2024 · A multimedia artist, Laurencin created paintings and prints, illustrated books, designed costumes and sets for ballet, and did collaborative decorative projects during her five-decade career....
Jun 15, 2020 · Most of her works portray a syrupy fantasy realm where girls play in perfume clouds—a queer modernist vision that riffed on Fauvism and Cubism while asserting profound independence from these movements. Yet Laurencin’s legacy is shamefully underrepresented in art history. She’s one more great woman artist who’s been left out of the popular canon.
Marie Laurencin (born October 31, 1883, Paris, France—died June 8, 1956, Paris) was a French painter, printmaker, and stage designer known for her delicate portraits of elegant, vaguely melancholic women. From 1903 to 1904 Laurencin studied art at the Humbert Academy in Paris.
- The Editors of Encyclopaedia Britannica
Introduction Marie Laurencin (31 October 1883 – 8 June 1956) was a French painter and printmaker. She became an important figure in the Parisian avant-garde as a member of the Cubists associated with the Section d'Or.
Jan 18, 2022 · Museum of Modern Art, New York. © 2021 Artists Rights Society (ARS), New York / ADAGP, Paris Laurencin’s irreverent parodies of Les Demoiselles d’Avignon and Luncheon on the Grass were resolute interventions to reclaim her image that she achieved through self-portraiture.
