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Victims, suspects, or perpetrators
- Both regularly take place against a backdrop of systemic and institutional corruption. However, noir (French for "black") fiction is centred on protagonists that are either victims, suspects, or perpetrators—often self-destructive.
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Films noir tend to revolve around heroes who are more flawed and morally questionable than the norm, often fall guys of one sort or another. The characteristic protagonists of noir are described by many critics as "alienated"; in the words of Silver and Ward, "filled with existential bitterness".
However, noir (French for "black") fiction is centred on protagonists that are either victims, suspects, or perpetrators—often self-destructive. A typical protagonist of noir fiction is forced to deal with a corrupt legal, political or other system, through which the protagonist is either victimized and/or has to victimize others, leading to ...
May 20, 2024 · Many of the major directors of film noir—such as Huston, Dmytryk, Cromwell, Orson Welles, and others—were American. However, other Hollywood directors renowned for a film noir style hailed from Europe, including Billy Wilder, Alfred Hitchcock, Jacques Tourneur, and Fritz Lang.
- The Editors of Encyclopaedia Britannica
Although the “hard-boiled detective” is the stereotypical noir hero, the central male characters in film noir range from drifters (John Garfield in Tay Garnett’s The Postman Always Rings Twice, 1946) to college professors (Edward G. Robinson in Lang’s The Woman in the Window, 1944).
Jan 15, 2024 · The protagonist is often a flawed and cynical detective, caught up in a world of crime and corruption. The femme fatale is another key character in film noir, a seductive and dangerous woman who often leads the protagonist down a path of self-destruction.
Male protagonists are anti-heroes rather than heroes: often anti-social loners, cynical, disillusioned, morally ambiguous, flawed or tarnished in some way by their past. They may have their own moral code but they will be out of step with society and ultimately powerless.
Protagonists in film noir are often normal people (classically, but not necessarily, a Private Detective) who get involved in crime, and the motivations are no longer just social or circumstantial but psychological and personal. The standard noir plot is, in broad terms, best summed up as centering around a protagonist who, usually by pure ...
