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Who was the founder of hip hop?
How did hip-hop start?
Who coined the term 'hip & 'hop'?
Where did hip hop come from?
While a number of people were influential in the creation of hip-hop, much credit is given to Kool Herc (Clive Campbell), a Jamaican immigrant who was the first major hip-hop disc jockey.
The creation of the term hip hop is often credited to Keef Cowboy, rapper with Grandmaster Flash and the Furious Five. However, Lovebug Starski, Keef Cowboy, and DJ Hollywood used the term when the music was still known as disco rap.
- Early 1970s, the Bronx, New York City, U.S.
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While there is some debate over the number of elements of hip-hop, there are four elements that are considered to be its pillars: deejaying, or “turntabling”; rapping, also known as “MCing” (emceeing) or “rhyming”; graffiti painting, also known as “graf” or “writing”; and break dancing, or “B-boying,” which encompasses hip-hop dance, style, and attitude, along with the sort of virile body language that philosopher Cornel West described as “postural semantics.” Many also cite a fifth essential component: “knowledge of self/consciousness.” Other suggested elements include street fashion and language.
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How did hip-hop get its name?
There are various explanations for the source of the term hip-hop. However, the most popular one involves Keith (”Keef Cowboy”) Wiggins, a member of the rap group Grandmaster Flash and the Furious Five. The rapper used the words hip/hop/hip/hop, imitating the sound of soldiers marching, in reference to a friend who had joined the army. According to some accounts, Kevin (”Lovebug Starski”) Smith was with Wiggins and helped create the phrase. Hip-hop was subsequently popularized in songs, notably the Sugarhill Gang’s “Rapper’s Delight.”
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Learn more about Grandmaster Flash and the Furious Five.
Although widely considered a synonym for rap music, the term hip-hop refers to a complex culture comprising four elements: deejaying, or “turntabling”; rapping, also known as “MCing” or “rhyming”; graffiti painting, also known as “graf” or “writing”; and “B-boying,” which encompasses hip-hop dance, style, and attitude, along with the sort of virile body language that philosopher Cornel West described as “postural semantics.” (A fifth element, “knowledge of self/consciousness,” is sometimes added to the list of hip-hop elements, particularly by socially conscious hip-hop artists and scholars.) Hip-hop originated in the predominantly African American economically depressed South Bronx section of New York City in the late 1970s. As the hip-hop movement began at society’s margins, its origins are shrouded in myth, enigma, and obfuscation.
Graffiti and break dancing, the aspects of the culture that first caught public attention, had the least lasting effect. Reputedly, the graffiti movement was started about 1972 by a Greek American teenager who signed, or “tagged,” Taki 183 (his name and street, 183rd Street) on walls throughout the New York City subway system. By 1975 youths in the Bronx, Queens, and Brooklyn were stealing into train yards under cover of darkness to spray-paint colourful mural-size renderings of their names, imagery from underground comics and television, and even Andy Warhol-like Campbell’s soup cans onto the sides of subway cars. Soon, influential art dealers in the United States, Europe, and Japan were displaying graffiti in major galleries. New York City’s Metropolitan Transit Authority responded with dogs, barbed-wire fences, paint-removing acid baths, and undercover police squads.
The beginnings of the dancing, rapping, and deejaying components of hip-hop were bound together by the shared environment in which these art forms evolved. The first major hip-hop deejay was DJ Kool Herc (Clive Campbell), an 18-year-old immigrant who introduced the huge sound systems of his native Jamaica to inner-city parties. Using two turntables, he melded percussive fragments from older records with popular dance songs to create a continuous flow of music. Kool Herc and other pioneering hip-hop deejays such as Grand Wizard Theodore, Afrika Bambaataa, and Grandmaster Flash isolated and extended the break beat (the part of a dance record where all sounds but the drums drop out), stimulating improvisational dancing. Contests developed in which the best dancers created break dancing, a style with a repertoire of acrobatic and occasionally airborne moves, including gravity-defying headspins and backspins.
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In the meantime, deejays developed new techniques for turntable manipulation. Needle dropping, created by Grandmaster Flash, prolonged short drum breaks by playing two copies of a record simultaneously and moving the needle on one turntable back to the start of the break while the other played. Sliding the record back and forth underneath the needle created the rhythmic effect called “scratching.”
May 13, 2024 · Clive Campbell. Born: April 16, 1955, Kingston, Jamaica (age 69) DJ Kool Herc (born April 16, 1955, Kingston, Jamaica) is a Jamaican American disc jockey (deejay or DJ) who is credited as the founder of hip-hop, a musical and cultural movement that revolves around four elements: rapping, graffiti painting, B-boying, and deejaying.
One of the most influential hip hop pioneers was DJ Kool Herc, a Jamaican immigrant regarded as the founding father of hip hop. Kool Herc made history in 1973 when he and his sister hosted the “Back to School Jam” in the recreation room of their Bronx apartment building at 1520 Sedgwick Avenue.
DJ Grandmaster Flash in 1999. Hip hop or hip-hop is a culture and art movement that was created by African Americans, [1] [2] starting in the Bronx, New York City.
Aug 11, 2023 · Noah Caldwell. Enlarge this image. Illustration by Jackie Lay/NPR. On August 11, 1973, a young innovative DJ rocked a modest party for fellow teenagers in a small community room in a Bronx...
