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Nov 25, 1995 · Mr. Malle did not consider himself a born film maker, and he worked hard to master the art. He regarded himself always as an outsider, and the characters he created frequently seemed to be ...
- French Film Culture in The 1950s
- French Cinema and The New Wave
- What Was New About The New Wave?
- The Renewal of Film Form
- When Was The New Wave?
- The Global Impact of The French New Wave
- Further Reading
The phenomenon of the nouvelle vague is rooted in the fact that between 1958 and 1962 some one hundred filmmakers, mostly a little under or over thirty years of age, made and brought out their first feature films. Such a sudden influx of young, new directors was unprecedented in any national cinema. Most French directors in the mid-1950s had establ...
In social terms, the 1950s—in France as elsewhere—saw the growth of youth culture and the beginnings of the displacement in politics and culture of the war and post-war generation by a new generation. The term nouvelle vague was coined by the journalist Françoise Giroud in 1958 in the weekly news magazine L'Expressfor a series of articles about the...
Expressing in general terms what made the New Wave new is inevitably very difficult, given that the filmmakers did not consciously form a movement or group with a unified aesthetic agenda and might be better considered as a loose grouping of disparate filmmakers brought together, to some extent, by historical accident. Truffaut, retrospectively, cl...
However, this might suggest that the films were naturalistic, observational studies of contemporary French life. Although this was an important component—The 400 Blows, for example, seems a clear descendant of the Italian neorealism of Vittorio De Sica and Cesare Zavattini, though more personal and autobiographical in tone—other elements, potential...
Of course, many New Wave filmmakers had their own individual styles—Demy's intensely romantic, enclosed fictional worlds and lyrical camera movements and use of music, Franju's strain of surrealism, Rouch's improvised documentaries. In a sense, that was the point: these were individual filmmakers with their own visions and styles rather than a grou...
The impact of the nouvelle vague was such that its films were seen very widely. This undoubtedly had important effects on and implications for young filmmakers in many parts of the world. The widespread distribution and enthusiastic reception of the films helped to create conditions in which innovative work in other countries could be made, seen, a...
Cameron, Ian, et al. Second Wave. London: Studio Vista, 1970. Douchet, Jean. French New Wave. Translated by Robert Bonnono. New York: Distributed Art Publishers, 1999. Godard, Jean-Luc. Godard on Godard. Translated by Tom Milne. Edited by Jean Narboni and Tom Milne. London: Secker and Warburg; New York: Viking, 1972; reprint, New York: Da Capo, 198...
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Mar 15, 2011 · With Au revoir les enfants (1987), Malle homed in on the autobiographical reference point of this theme, the moment that “may well have determined my vocation as a filmmaker,” when, age eleven, he watched a Gestapo official enter the classroom of his Fontainebleau school and summon a fellow pupil by an unfamiliar, Jewish name.
On a day in 1944, the Gestapo arrived and arrested the headmaster and Malle’s friend. Malle has said that the morning changed his life. “It may have triggered my becoming a film maker.
Feb 7, 1988 · In the film, Julien discovers the name Kippelstein inscribed in a book in the new boy's locker, and the two boys fight when he confronts him with it. In reality, according to Mr. Malle, Bonnet's ...
Louis Malle. Director: Goodbye, Children. Louis Malle, the descendant of a French nobleman who made a fortune in beet sugar during the Napoleonic Wars, created films that explored life and its meaning. Malle's family discouraged his early interest in film but, in 1950, allowed him to enter the Institute of Advanced Cinematographic Studies in Paris. His résumé showed that he had worked as an ...
Nov 22, 2023 · Charlie Connelly. French film director, screenwriter and producer Louis Malle in the cutting room of the movie Viva Maria! in 1965. Photo: Robert Siegler/INA/Getty. There comes a time in the life of most successful creative people when they feel the need for a new challenge. A novelist might write a memoir or a screen actor take on a stage role ...
