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  1. Symbols and motifs are key to understanding Twelfth Night as a play and identifying Shakespeare's social and political commentary. Death. Although no actual deaths occur in Twelfth Night, death haunts this play throughout. At the beginning, Olivia is mourning a dead brother. Sebastian and Viola have just survived a shipwreck, and each spends ...

  2. Jul 26, 2020 · Twelfth Night is the ninth in a series of comedies Shakespeare wrote during the 1590s that includes The Comedy of Errors, The Taming of the Shrew, A Midsummer Night’s Dream, The Merchant of Venice, and As You Like It and is a masterful synthesis of them all, unsurpassed in the artistry of its execution. In recognizing the barriers to love it ...

  3. Introduction to the play. Named for the twelfth night after Christmas, the end of the Christmas season, Twelfth Night plays with love and power. The Countess Olivia, a woman with her own household, attracts Duke (or Count) Orsino. Two other would-be suitors are her pretentious steward, Malvolio, and Sir Andrew Aguecheek.

  4. Sep 27, 2019 · Summarize videos instantly with our Course Assistant plugin, and enjoy AI-generated quizzes: https://bit.ly/ch-ai-asst William Shakespeare’s Twelfth Night ex...

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  5. Unlock with LitCharts A. Throughout Twelfth Night, several different characters make use of natural imagery. The twin motifs of trees and flowers are used at different points throughout the play to symbolize beauty, love, and death. In Act 2, Scene 4, Orsino introduces flowers as a symbol of inconstant love:

  6. Oct 8, 2019 · Nevertheless, let’s try to analyse some of Twelfth Night ’s most salient themes and features. Plot summary of Twelfth Night. Act 1. The play opens with the Duke of Illyria, Orsino, pining away with love for Olivia, a countess whose father died a year ago and whose brother has recently died. Olivia has vowed to shut herself away from society ...

  7. That strain again, it had a dying fall. O, it came o’er my ear like the sweet sound. That breathes upon a bank of violets, Stealing and giving odour. Enough, no more, ’Tis not so sweet now as it was before. [Music ceases] O spirit of love, how quick and fresh art thou. That, notwithstanding thy capacity.

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