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  1. The Hitch-Hiker (1953) One of several highway film noir s, The Hitch-Hiker (director: Ida Lupino, 1953) is brutal, effective and in its day introduced a new kind of criminal to the screen. With a compelling normality, The Hitch-Hiker shows the kind of pointless hold ups and killings that in the 1950s were generally framed as a social-problem ...

  2. en.wikipedia.org › wiki › Hitchhike!Hitchhike! - Wikipedia

    Production company. Universal Television. Original release. Network. ABC. Release. February 23, 1974. ( 1974-02-23) Hitchhike! is a 1974 American TV film directed by Gordon Hessler .

  3. Jul 7, 2023 · University students Ryoko and Akane get lost on a mountain road while returning from a hike. After finally reaching a bus stop, they find no signs of a bus approaching. To make matters worse, Ryoko has injured her leg, and it seems Akane's boyfriend won't be able to pick them up due to a drinking party. With resolve, the two decide to hitchhike.

  4. Hitch-Hike Reviews. All Critics. Top Critics. All Audience. Verified Audience. Austin Trunick Under the Radar. Visceral direction and a good score by the legendary Ennio Morricone help this film ...

  5. An Italian film shot to look as though it was filmed in the desert of the U.S. south-west, HITCH-HIKE is an often tense and entertaining film, that despite a good bit of relatively graphic violence, rape, and other "strong" content, never really seems to cross the line into blatantly sleazy exploit territory.

  6. Dec 7, 2015 · Product Description. The late, great David Hess, star of THE LAST HOUSE ON THE LEFT, took on one of his most maddening roles in 1977s seat-gripping shocker HITCH-HIKE. Picked up at the side of the road by a bickering couple, essayed by the iconic Franco Nero (DJANGO) and ex-Bond girl Corinne Cléry (MOONRAKER), the seemingly good-natured Hess ...

    • Blu-ray
  7. For extra material, Hitch-Hike has only one feature: an almost thirty-minute series of interviews with the cast and crew of the film, including Nero, Cléry, and Hess. This is a great offering that gives good insight into the making of the film, including Hess’ filming of uncomfortable scenes with Cléry and the Nero’s self-promotion on the ...