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  1. Analysis. Poe credited two chief literary works in the genesis and composition of ‘The Raven’: he got the idea of the raven from Charles Dickens’s novel Barnaby Rudge (whose title character has a pet raven, Grip – the same name of Dickens’s own pet raven in real life), and he borrowed the metre for his poem from Elizabeth Barrett Browning’s poem ‘Lady Geraldine’s Courtship’.

  2. The Raven Analysis. Edgar Allan Poe wrote "The Raven" as a ballad with eighteen six-line stanzas. It employs trochaic octameter, a dramatic form of meter, to emphasize its heavy use of rhyme. The ...

  3. In a fury, the narrator demands that the raven go back into the night and leave him alone again, but the raven says, "Nevermore," and it does not leave the bust of Pallas. The narrator feels that his soul will "nevermore" leave the raven's shadow. Analysis: "The Raven" is the most famous of Poe's poems, notable for its melodic and dramatic ...

  4. Madness triumphs over sanity. Throughout the poem, the speaker’s grief and guilt overcome his rational thought, drowning out his sanity. At the beginning, the speaker appears rational, yet melancholy. He is reading books, which is usually an act of expanding one’s mind, and sits in a room that has a bust of the Greek goddess of wisdom on ...

  5. The Raven. By Edgar Allan Poe. Once upon a midnight dreary, while I pondered, weak and weary, Over many a quaint and curious volume of forgotten lore—. While I nodded, nearly napping, suddenly there came a tapping, As of some one gently rapping, rapping at my chamber door. “’Tis some visitor,” I muttered, “tapping at my chamber door—.

  6. The Raven” is an example of Gothic literature, a genre that originated in 18th century England. Hallmarks of Gothic works include horror, death, the supernatural, and occasionally romance. Their characters are often highly emotional and secluded from society, living in dark, gloomy, medieval-like homes surrounded by wild natural landscapes.

  7. Swung by Seraphim whose foot-falls tinkled on the tufted floor. “Wretch,” I cried, “thy God hath lent thee—by these angels he hath sent thee. Respite—respite and nepenthe from thy memories of Lenore; Quaff, oh quaff this kind nepenthe and forget this lost Lenore!”. Quoth the Raven “Nevermore.”.

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