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Jul 17, 2021 · interview: Arnaud Desplechin film profile], a literate and beautiful film version of Philip Roth’s short 1990 novel. His next project, Brother and Sister, with Melvil Poupaud and returning star Marion Cotillard (who was in Ismaël’s Ghosts [+ see also: film review trailer Q&A: Arnaud Desplechin
Le cinéaste français Arnaud Desplechin, César du meilleur réalisateur en 2016, était de passage en principauté le 25 janvier 2021. Invité au théâtre des Vari...
- 8 min
- 629
- Monaco Hebdo
Sep 20, 2019 · Rencontre avec Arnaud Desplechin et Mathieu Amalric à la Cinémathèque Française. Le film du réalisateur de la post-Nouvelle Vague, « Rois et reine » (2004) a...
- 72 min
- 17.2K
- ARTE Cinema
Oct 21, 2013 · A "Touch Of Evil" with Arnaud Desplechin and Anne-Katrin Titze through the lens of Kent Jones. I met up with Arnaud Desplechin to discuss his latest film screened at the New York Film Festival and discovered masculinity in Hitchcock's Vertigo by letting Kim Novak die and the soul of a Russian doll while sounding like Danny Kaye in The Court ...
May 12, 2005 · Arnaud Desplechin: I think without realizing it, I wanted to see (good melodrama and raw comedy) on the screen, but wanted to go slightly further. Possibly because European films now are slightly ...
May 17, 2022 · Deception should have been prime, loopy material for Desplechin, but instead remains frustratingly staid, only occasionally capturing the spark of his more personal material. A long pursued passion project, Arnaud Desplechin’s latest picture adapts Philip Roth’s 1990 slippery, erotic novel, Deception, into cinematic form for the first time. The late Jewish-American writer’s work has ...
Jan 15, 2015 · January 15, 2015. The 2015 Oscars are fast upon us! Wes Anderson and his film The Grand Budapest Hotel are up for three awards: Best Picture, Best Director, and Best Original Screenplay. These serve as his fourth, fifth, and sixth nominations. “The first director I was ever aware of was Alfred Hitchcock–before I even understood the idea of ...
