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The Sinfonia Concertante for Violin, Viola and Orchestra in E ♭ major, K. 364 (320d), was written by Wolfgang Amadeus Mozart . At the time of its composition in 1779, Mozart was on a tour of Europe that included Mannheim and Paris. He had been experimenting with the sinfonia concertante genre [1] and this work can be considered his most ...
May 10, 2024 · Grandeur, opulence, and the soul-striking power of a choir in sacred unity. His Mass in C Minor is a transcendent work, darkly divine. Although fragments of the work were performed during Mozart’s lifetime, this mysterious work remained unfinished at his death. In this special performance, we will be joined by four sublime soloists and ...
Apr 9, 2024 · Mozart’s Mass: 150 Years of St Stephen’s Cathedral. Queensland Symphony Orchestra . Conductor: Umberto Clerici Special Guests . Sara Macliver Sofia Troncoso Andrew Goodwin David Greco Brisbane Chamber Choir St Stephen’s Cathedral Schola Dates: Friday 10 May 2024, 7.30pm Saturday 11 May 2024, 1.30pm and 7.30pm
The Wawel Royal Castle ( Polish pronunciation: [ˈvavɛl] ⓘ; Zamek Królewski na Wawelu) and the Wawel Hill on which it sits constitute the most historically and culturally significant site in Poland. A fortified residency on the Vistula River in Kraków, it was established on the orders of King Casimir III the Great [2] and enlarged over the ...
The Piano Concerto No. 6 in B-flat major, K. 238, was composed by Wolfgang Amadeus Mozart in January 1776. His Concerto No. 7 (K. 242) for three pianos and his Concerto No. 8 (K. 246) in C major would follow within three months. The three works share what Cuthbert Girdlestone refers to as a galant style.
What’s particularly important about the Wawel Cathedral is its role in the history of Kraków, and indeed Poland as a whole. In the years of partition, when the Polish state was effectively disbanded, the Cathedral lost much of its foreign patrons, but the building’s long standing role in the saga of Poland’s rise and fall before the 19th century had already become the stuff of legend ...
Description. The Rondo is marked allegretto, giving the piece a lively but unhurried feel. The piece is begun, as with much of Mozart's concerto work, by the strings, who play the piece's main theme. Again typical of the beginning of Mozart's piano and orchestral works, the piano only enters after about a minute of orchestral playing.
