Search results
Nicholas Britell (New York, 1980. október 17.) amerikai zeneszerző, zongorista és filmproducer. 2016-ban Oscar-díjra és Golden Globe-díjra jelölték a legjobb eredeti filmzene kategóriában a Holdfény című film kísérőzenéjéért, amelyet Barry Jenkins rendezett. 2018-ban ugyanennek a rendezőnek a Ha a Beale utca mesélni tudna című filmjéhez írt zenét, 2019-ben ezt is ...
Aug 11, 2023 · About Nicholas Britell. Nicholas Britell is a composer/pianist known for his work on the films New York, I Love You, 12 Years a Slave, Free State of Jones, and The King. ∙ He is a graduate of The Juilliard School’s Pre-College Division for musically gifted children, as well as a Phi Beta Kappa graduate of Harvard University. ∙ His scores ...
Dec 18, 2022 · Composer Nicholas Britell won an Emmy for his "Succession" score. The show is about a deeply damaged family of billionaires, so Britell wanted the theme to sound a little off. "The pianos are ...
Two-time Academy Award-nominated composer and pianist Nicholas Britell is known for his critically acclaimed scores on feature films with Academy Award-winning writer-directors Barry Jenkins and Adam McKay. In 2016, Britell was responsible for the world-renowned score for Best Picture winner Moonlight, written and directed by Jenkins.
Sep 29, 2022 · Nicholas Britell‘s score reflects this war within the soul of show’s protagonist and the sharper (one might even say hard-boiled) corner of the galaxy he finds himself in. Britell’s score ...
Oct 21, 2022 · Nicholas Britell, an Academy Award-nominated and Emmy Award-winning composer whose previous work includes the TV series Succession (2018-present), Moonlight (2016), and the The Big Short (2015), has created a score that’s less space-swashbuckling, more space-spy, for the story of Cassian Andor. Strings drone for stretches, low-volume beats ...
Jun 2, 2023 · Composer Nicholas Britell, who has scored films for Barry Jenkins (“Moonlight,” “If Beale Street Could Talk”) and Adam McKay (“The Big Short,” “Vice,” “Don’t Look Up”), as ...
