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Adrian Messenger, a famous writer, asks his friend Anthony Gethryn, a former British agent, to help him investigate the whereabouts of the people who appear on a list, without asking him the reason why he should do so.
Jul 19, 2021 · The List Of Adrian Messenger - 1963. A 1963 American mystery film directed by John Huston. John Huston's bizarre take on Kind Hearts and Coronets - with stars such as Burt Lancaster, Robert Mitchum, Tony Curtis and Frank Sinatra behind make-up for cameo roles - is a gleeful black comedy for most of its running time.
- 94 min
- 8.4K
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Apr 17, 2018 · The List of Adrian Messenger is a 1963 black and white crime thriller about a retired British intelligence officer (George C. Scott) investigating a series of apparently unrelated deaths. It was directed by John Huston from a screenplay by Anthony Veiller, based on the 1959 novel of the same title by Philip MacDonald.
- Blu-ray
Oct 1, 2018 · Conclusion: The List of Adrian Messenger (1963) Film Review. A thoroughly enthralling film that has you intrigued to how the ending will play out. Strong performances from George C. Scott and Kirk Douglas keep the film interesting. If you like my The List of Adrian Messenger (1963) blu-ray review you may want to check out these films:
Aug 5, 2019 · Warning: spoilers to follow throughout review. The plot has famous writer Adrian Messenger (John Merivale) at the fox-hunt of the haughty Marquis of Gleneyre (Clive Brook) asking as a personal favor that Anthony Gethryn (George C. Scott), an MI5 friend, to on the quiet check out the addresses of the eleven names he’s listed without ...
Duration. 1h 38m. Sound. Mono (Westrex Recording System) Color. Black and White. Theatrical Aspect Ratio. 1.66 : 1. An Army officer races to save a group of former POWs from a murderous master of disguise.
The List of Adrian Messenger is a 1963 black and white crime thriller about a retired British intelligence officer (George C. Scott) investigating a series of apparently unrelated deaths. It was directed by John Huston from a screenplay by Anthony Veiller, based on the 1959 novel of the same title by Philip MacDonald.
