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Robbie Robertson appears courtesy of Capitol Records Originally released in April 1974. ℗ 1973 Asylum Records (on CD). ℗© 1974 Asylum Records (on back cover). Made in U.S.A. by WEA Manufacturing Inc. Mastered at Ocean Digital View Digital Mastering, Los Angeles, California, using the Pacific Microsonics HDCD system.
Court and Spark. 2:47; Car on a Hill. 3:03; Court and Spark. 2:47; Help Me. 3:25 Free Man in Paris ... Robbie Robertson appears courtesy of Capitol Records A5. "The ...
Clearest distinction between very similar pressings: while Joni Mitchell - Court And Spark has an additional line of text at the bottom left side of the gatefold, this one does not (see images). Track A5 lists as "Same Situation" on label and "The Same Situation" on sleeve. Inside Gatefold: Lyrics, Portrait, no credits. Embossed textured cover.
Mar 8, 2024 · Court and Spark is a masterful blend of the genres and sounds she had touched on throughout the 1970s, all wrapped up with a pop sensibility that still remains honest and fresh. Though Blue is seen as Mitchell’s essential record today, Court and Spark is an excellent jumping off point for those interested in her work. Whether it is the rowdy ...
Miscellaneous appearances by Robbie Robertson Year Title Album Notes 1973 "Raised on Robbery" Court and Spark: 1983 "Between Trains" The King of Comedy: original songs 1986 "Modern Blues" and "Main Title" The Color of Money: 1988 "Christmas Must Be Tonight" Scrooged: 1994 "Slo Burn", "Let the Good Times Roll" (with Cassandra Wilson), and "Bad ...
"Court and Spark" is Joni Mitchell's most overt attempt at making a hit record, full of glossy production, catchy choruses, and even guest stars from every stratum of rock culture, high (Robbie Robertson) and low (Cheech and Chong). The record was a smash, reaching number two on the charts in March of 1974, spawning three hit singles; "Help Me, "Free Man in Paris" and "Raised on Robbery" and ...
Jan 17, 2022 · 17 January 2022. To say that Joni Mitchell’ s sixth album, Court And Spark, was eagerly anticipated is an understatement. 1972’s For The Roses saw the singer-songwriter breaking from the exquisite introspection of the previous year’s Blue for a set of songs more concerned with the wider world – the gender divide, her prickly ...
