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Jan 23, 1971 · The Beguiled: Directed by Don Siegel. With Clint Eastwood, Geraldine Page, Elizabeth Hartman, Jo Ann Harris. While recuperating in a Confederate girls' boarding school, a Union soldier cons his way into each of the lonely women's hearts, causing them to turn on each other, and eventually, on him.
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Nov 9, 2021 · BFI presents Don Siegel’s influential sci-fi/horror film Invasion of the Body Snatchers to Blu-ray on a dual-layer disc in its original SuperScope aspect ratio of 2.00:1. The 1080p/24hz high-definition encodes is sourced from a 4K restoration performed by Paramount Pictures, which was scanned from a 35mm fine grain duplicating positive.
Jan 9, 2019 · Olive Films' Signature edition of Don Siegel's Invasion of the Body Snatchers (1956) does full justice to this classic of 1950s sci-fi/horror with an excellent transfer and a rich collection of extras, which include two commentaries and a stack of featurettes about the film, director Siegel and producer Walter Wanger.
5 days ago · The Black Windmill. 4 votes. The Black Windmill is a 1974 British spy thriller directed by Don Siegel and starring Michael Caine, John Vernon, Janet Suzman and Donald Pleasence. It was produced by Richard D. Zanuck and David Brown. The screenplay by Leigh Vance is based on Clive Egleton's novel Seven Days to a Killing.
Ernest Hemingway's gripping short story "The Killers" has fascinated readers and filmmakers for generations. In 1964, Don Siegel—initially slated to direct the 1946 version—took it on, creating the first-ever made-for-TV feature, which would prove too violent for American audiences in the wake of JFK's assassination.
Mar 18, 2024 · Invasion of The Body Snatchers (Don Siegel, 1956) Uses many genre features to make sure the audience knows that this is a science fiction film. One is that Miles slowly picks up hints of something being role and plays a hero/pseudo detective role but the most important is that it is set in very typical familiar, everyday surroundings for a ...
Jun 22, 2023 · Farber's writing was scrappy, unpretentious and iconoclastic, not unlike the films and filmmakers he favored, from the genre pictures of Sam Fuller, Don Siegel, Sam Peckinpah and John Wayne, to the visionary and experimental work of Werner Herzog, R.W. Fassbinder, Andy Warhol and Chantal Akerman.
