Search results
Tritone paradox. The tritone paradox is an auditory illusion in which a sequentially played pair of Shepard tones [1] separated by an interval of a tritone, or half octave, is heard as ascending by some people and as descending by others. [2] Different populations tend to favor one of a limited set of different spots around the chromatic circle ...
During the heyday of 2-Tone, and a little farther north, in Birmingham, another multiracial group, UB40, laced Midlands diffidence with reggae rhythms and achieved international success over a 15-year period on its own DEP International label, licensed through Virgin. Peter Silverton. In several regional British cities, the distinct late 1970s ...
In music theory, the tritone is defined as a musical interval spanning three adjacent whole tones (six semitones ). [1] For instance, the interval from F up to the B above it (in short, F–B) is a tritone as it can be decomposed into the three adjacent whole tones F–G, G–A, and A–B. Narrowly defined, each of these whole tones must be a ...
considerable talent or ability to grow plants. 2 senses: 1. of two colours or two shades of the same colour 2. (esp of sirens, car horns, etc) producing or consisting of two.... Click for more definitions.
Linguistics is the scientific study of language. [1] [2] [3] Linguistics is based on a theoretical as well as a descriptive study of language and is also interlinked with the applied fields of language studies and language learning, which entails the study of specific languages. Before the 20th century, linguistics evolved in conjunction with ...
Nonchord tone. Nonchord tones in Schumann 's "Reaper's Song", Op. 68, No. 18: two passing tones (p), one neighbor tone (n), and a pedal point (ped). [1] A nonchord tone ( NCT ), nonharmonic tone, or embellishing tone is a note in a piece of music or song that is not part of the implied or expressed chord set out by the harmonic framework.
Multifrequency signaling is a technological precursor of dual-tone multi-frequency signaling (DTMF, Touch-Tone ), which uses the same fundamental principle, but was used primarily for signaling address information and control signals from a user's telephone to the wire-center's Class-5 switch. DTMF uses a total of eight frequencies.
