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The Orchestra Mozart Academy (Italian: Accademia dell'Orchestra Mozart) is an Italian chamber orchestra based in Bologna. Creation [ edit ] The orchestra was created in 2004 by Claudio Abbado as a special project for young musicians within the Regia Accademia Filarmonica (Philharmonic Academy) of Bologna and managed by Giuseppe Modugno and ...
Vesperae solennes de confessore (Solemn Vespers for a Confessor), K. 339, is a sacred choral composition, written by Wolfgang Amadeus Mozart in 1780. It is scored for SATB choir and soloists, violin I, violin II, 2 trumpets, 3 trombones colla parte, 2 timpani, and basso continuo ( violoncello, double bass, and organ, with optional bassoon ...
Velká mše c moll ( Große Messe in c-Moll ), K. 427/417a, je slavnostní mše (missa solemnis), kterou zkomponoval Wolfgang Amadeus Mozart ve Vídni v letech 1782 a 1783. První provedení se uskutečnilo v Salcburku 26. října 1783 [1]. Dílo pro dva sólové soprány, tenor, bas, dva sbory a rozsáhlý orchestr zůstalo nedokončené ...
Utopia Orchestra and Choir. Teodor Currentzis, Conductor. The Great Mass in C minor is recognised as one of the greatest works of Wolfgang Amadeus Mozart. The composer wrote it in Vienna during the years 1782 and 1783. The Mass was to be performed in Salzburg at the time of Mozart’s reconciliation visit to his father (during which Mozart also ...
English: Wolfgang Amadeus Mozart: Great Mass in C minor, K. 427 Ferenc Fricsay, Berlin Radio Symphony Orchestra, Chor der St. Hedwigs-Kathedrale Berlin, Maria Stader, Hertha Töpper, Ernst Haefliger, Ivan Sardi.
The piece was composed in early 1782 [2] by Mozart as an alternative final movement to his Piano Concerto No. 5, a piece he composed in December 1773 when he was 17. [3] He composed the Rondo for a number of reasons. He considered the use of a Sonata-form movement too complex for the movement's context, [1] and thus he wrote this alternative ...
What’s particularly important about the Wawel Cathedral is its role in the history of Kraków, and indeed Poland as a whole. In the years of partition, when the Polish state was effectively disbanded, the Cathedral lost much of its foreign patrons, but the building’s long standing role in the saga of Poland’s rise and fall before the 19th century had already become the stuff of legend ...
