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Mary and the Witch's Flower. Hiromasa Yonebayashi (米林 宏昌, Yonebayashi Hiromasa, born July 10, 1973 in Nonoichi, Ishikawa, Japan), [1] nicknamed Maro (麻呂), is a Japanese animator and director, formerly for Studio Ghibli. After his directorial debut with Studio Ghibli ( The Secret World of Arrietty ), he became the youngest director ...
When Marnie Was There ( Japanese: 思い出のマーニー, Hepburn: Omoide no Mānī, lit. 'Marnie of [My] Memories') is a 2014 Japanese animated psychological drama film co-written and directed by Hiromasa Yonebayashi, produced by Studio Ghibli and distributed by Toho. It is based on Joan G. Robinson 's 1967 novel of the same name.
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Arrietty, titled Arrietty the Borrower (Japanese: 借りぐらしのアリエッティ, Hepburn: Karigurashi no Arietti) in Japan and The Secret World of Arrietty in North America, is a 2010 Japanese animated fantasy film directed by Hiromasa Yonebayashi as his feature film debut as a director, animated by Studio Ghibli for the Nippon Television Network, Dentsu, Hakuhodo DY Media Partners ...
Hiromasa Yonebayashi. Director: When Marnie Was There. Hiromasa Yonebayashi was born on 10 July 1973 in Nonoichi, Japan. He is a director and writer, known for When Marnie Was There (2014), The Secret World of Arrietty (2010) and Mary and the Witch's Flower (2017).
- January 1, 1
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- Nonoichi, Japan
Hiromasa Yonebayashi (米林 宏昌, Yonebayashi Hiromasa, born July 10, 1973, in Nonoichi, Ishikawa, Japan), nicknamed Maro (麻呂), is director of The Secret World of Arrietty and When Marnie Was There, and animator for various Studio Ghibli. Together with Ghibli producer Yoshiaki Nishimura, Yonebayashi left Studio Ghibli in December 2014 after 18 years, and established Studio Ponoc in June ...
Jul 7, 2011 · First sight: Hiromasa Yonebayashi. Who is he? At 37, he's the youngest director of a feature animation at Studio Ghibli – the company co-founded by Spirited Away director Hayao Miyazaki. The ...
Jun 7, 2016 · H iromasa Yonebayashi’s When Marnie Was There is a study of teenage grief and anxiety that’s leavened by Studio Ghibli’s typical recourse to gentle whimsy and fantasy. The director talks to us about following up Arrietty, his 2010 take on ‘The Borrowers’, working with the great Hayao Miyazaki, and the value of close attention to detail.
