Search results
Ben Stevenson OBE (born 4 April 1936), is a former ballet dancer with Britain's Royal Ballet and English National Ballet, co-director of National Ballet of Washington, D.C. (1971–1974), artistic director of Chicago Ballet (1974-1975), artistic director of Houston Ballet (1976–2003), and artistic director of Texas Ballet Theater (2003–2022).
Learn about Ben Stevenson, the longest-serving artistic director of Texas Ballet Theater and a renowned choreographer and dancer. Discover his vision, awards, and legacy in the world of ballet.
Oct 4, 2023 · 10/04/2023 | 6m 53s |. My List. From classical ballet performances to dramas and romance, Ben Stevenson has choreographed them all. As the world-renowned choreographer begins takes a step...
- 7 min
People also ask
Who is Ben Stevenson?
When did Ben Stevenson become a director?
Who is Mr Ben Stephenson?
Who is Stephen Stevenson?
May 1, 2017 · Li Cunxin, the star of Mao's Last Dancer, met choreographer Ben Stevenson in 1978 and moved to the US with his scholarship. Stevenson directed Li in Swan Lake and other roles, and praised his artistic director of Queensland Ballet.
Sep 12, 2023 · Learn about Ben Stevenson, the British-born choreographer who shaped the Houston and Fort Worth ballet companies and created lavish story ballets like Dracula. Hear his stories of working with legends like Gwen Verdon and Shirley MacLaine, and see his signature pieces in Texas.
Jun 6, 2022 · The world-renowned choreographer and former Artistic Director of Texas Ballet Theater will assume a new role as Artistic Director Laureate starting July 1, 2022. The Company will celebrate his amazing work with a season of his productions, including Cirque du Ballet and Alice in Wonderland.
Jun 7, 2022 · Tim O’Keefe tapped as acting artistic director for the 2022-23 season, beginning July 1. The Texas Ballet Theater announced on Tuesday that longtime artistic director and world-renowned choreographer Ben Stevenson would be taking on a new role as artistic director laureate, effective July 1.
