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1. www.allmusic.com › album › rózsa-the-lost-weekendRózsa: The Lost Weekend; Double Indemnity; The Killers

   www.allmusic.com › album › rózsa-the-lost-weekend

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   Rózsa: The Lost Weekend; Double Indemnity; The Killers by Miklós Rózsa released in 1997. Find album reviews, track lists, credits, awards and more at AllMusi

2. Videos

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     discogs.com

     Miklós Rózsa - Double Indemnity / The Killers / Lost Weekend

     Feb 9, 2022

     10.9M Views

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     2:12

     youtube.com

     Miklos Rozsa: Double Indemnity (1944)

     Feb 1, 2014

     29.7K Views

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     2:04

     youtube.com

     Miklós Rózsa- [The Lost Weekend]

     Jul 20, 2009

     34.8K Views

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3. www.discogs.com › release › 10857527-Miklós-RózsaMiklós Rózsa - Double Indemnity / The Killers / Lost Weekend

   www.discogs.com › release › 10857527-Miklós-Rózsa

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   The First Meeting/The Walk From The Lost Weekend: 10:21: 3: Nightmare/Finale From The Lost Weekend: 13:52: 4: Prelude From Double Indemnity: 9:17: 5: The Conspiracy From Double Indemnity: 6:47: 6: Finale From Double Indemnity: 10:14: 7: Main Title From The Killers: 2:10: 8: Prison Stars From The Killers: 5:47: 9: Exit The Killers From The ...

   • 4.5/5 (2)
   • Country: USA & Canada

   • Offer Count: 3
   • Format: CD, Album, Stereo

4. www.commentary.org › articles › terry-teachoutThe Double Life of Miklos Rozsa – Commentary Magazine

   www.commentary.org › articles › terry-teachout

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   Dec 1, 2001 · 1944-46: Sedares and the New Zealand Symphony have also recorded suites from three of Rózsa’s best film scores of the 40’s: Double Indemnity, The Lost Weekend, and The Killers (1946). The playing here is adequate but shows signs of insufficient rehearsal (Koch International 3-7375-2-H1).

5. People also ask

   What films did Rózsa play in?

   • But Rózsa also traveled inside the equally exotic human psyche in Alfred Hitchcock’s Spellbound (1945), brilliantly casting a theremin as the sound of Gregory Peck’s paranoia, and in the scores for a trio of film noirs: Double Indemnity, Wilder’s The Lost Weekend (1945), and Robert Siodmak’s The Killers (1946).

   The Rule-Breaking Maestro Behind Noir’s Trademark Sound

   www.criterion.com/current/posts/7812-the-rule-breaking-maestro-behind-noirs-trademark-sound

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   What is Rózsa's music like in Double Indemnity?

   • “Rózsa’s music for Double Indemnity is markedly different in its creation of a brooding, claustrophobic atmosphere perfectly attuned to both setting and plot, and its tendency to disturb rather than romanticize.” Rózsa’s score, along with so many elements in Double Indemnity, became an archetype of film noir.

   The Rule-Breaking Maestro Behind Noir’s Trademark Sound

   www.criterion.com/current/posts/7812-the-rule-breaking-maestro-behind-noirs-trademark-sound

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   Does Miklós Rózsa have a CD?

   • A fine conductor, Miklós Rózsa recorded most of his own orchestral music, but none of his performances is currently to be found on CD (except for a few soundtracks). Here are seven currently available recordings of some of his concert works and film scores, arranged according to date of composition:

   The Double Life of Miklos Rozsa – Commentary Magazine

   www.commentary.org/articles/terry-teachout/the-double-life-of-miklos-rozsa/

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   Why is Rózsa a film noir?

   • Rózsa’s score, along with so many elements in Double Indemnity, became an archetype of film noir. The orchestral doom and gloom, the incisive psychoanalysis, and the churning machinations all became fundamentals of cinema’s exploration of the dark side of the American dream.

   The Rule-Breaking Maestro Behind Noir’s Trademark Sound

   www.criterion.com/current/posts/7812-the-rule-breaking-maestro-behind-noirs-trademark-sound

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6. www.criterion.com › current › postsThe Rule-Breaking Maestro Behind Noir’s Trademark Sound

   www.criterion.com › current › posts

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   Jun 1, 2022 · But Rózsa also traveled inside the equally exotic human psyche in Alfred Hitchcock’s Spellbound (1945), brilliantly casting a theremin as the sound of Gregory Peck’s paranoia, and in the scores for a trio of film noirs: Double Indemnity, Wilder’s The Lost Weekend (1945), and Robert Siodmak’s The Killers (1946). This new frontier ...

7. filmmusiccritics.org › ifmca-legends › miklos-rozsaMIKLÓS RÓZSA | IFMCA: International Film Music Critics ...

   filmmusiccritics.org › ifmca-legends › miklos-rozsa

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   Miklós Rózsa, an intellect and a gentleman of the old school, was an artist with an enormous contribution to the art of film music. His music has been both light in tone and heavily dramatic in feeling, and he was one of very few film composers highly regarded enough to be accepted to the classical stage as well as in the motion picture studio.

8. open.spotify.com › album › 7uQAcvlo78LYo2jNRKnr7dDouble Indemnity - The Lost Weekend - The Killers - Album by ...

   open.spotify.com › album › 7uQAcvlo78LYo2jNRKnr7d

   Miklós Rózsa · Album · 1997 · 9 songs. ... Listen to Double Indemnity - The Lost Weekend - The Killers on Spotify. Miklós Rózsa · Album · 1997 · 9 songs.

9. rateyourmusic.com › release › compDouble Indemnity / The Killers / The Lost Weekend by Miklós ...

   rateyourmusic.com › release › comp

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   Double Indemnity / The Killers / The Lost Weekend, a Compilation of songs by Miklós Rózsa. Released 18 February 1997 on Koch International Classics (catalog no. 3-7375-2-H1; CD). Genres: Film Score, Cinematic Classical.