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  1. Julius Leopold Korngold (24 December 1860 – 25 September 1945) was an Austrian music critic. He was the leading critic in early twentieth century Vienna, serving as chief music critic of the Neue Freie Presse from 1904 to 1934.

  2. Sep 3, 2021 · In his memoirs, Julius Korngold quotes copiously from their personal correspondence, and though they never used the informal “Du”, but addressed each other as “Sie”, it’s clear that the relationship was mutually useful and respectful.

  3. Nov 10, 2022 · Korngold, the all-grown-up prodigy who’d had uncommon success in Central Europe around World War I, before defining the sound of Hollywood in exile from Nazism, lived to see his illusions...

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    • David Allen
  4. May 27, 2024 · Overview. Julius Korngold. (1860—1945) Quick Reference. ( b Brünn, 1860; d Hollywood, Calif., 1945). Austrian music critic, father of Erich Korngold. Mus. critic Neue Freie Presse, Vienna, 1902–34. Collab. with son on lib. of Erich's opera Die tote Stadt under joint pseudonym ‘Paul Schott’.

  5. Korngold was the second son of the eminent Viennese music critic Julius Korngold a champion of Gustav Mahler and Richard Strauss, among others. The boy's earliest music showed a mastery of form and harmony so impressive that it impressed Strauss, Jean Sibelius , Karl Goldmark, Giacomo Puccini , Artur Nikisch, Bruno Walter, and Artur Schnabel ...

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  6. Die tote Stadt (German for The Dead City), Op. 12, is an opera in three acts by Erich Wolfgang Korngold set to a libretto by Paul Schott, a collective pseudonym for the composer and his father, Julius Korngold. It is based on the 1892 novel Bruges-la-Morte by Georges Rodenbach.

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  8. Dec 13, 2022 · Julius Korngold was very far from just rolling over and accepting Mahlers departure, while acknowledging its inevitability. More fascinating for me personally, was confronting the aesthetic arguments surrounding Mahler’s engagement of Alfred Roller as head of staging.

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