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  1. en.wikipedia.org › wiki › Max_AubMax Aub - Wikipedia

    Max Aub Mohrenwitz (June 2, 1903, Paris – July 22, 1972 Mexico City) was a Mexican-Spanish experimentalist novelist, playwright, poet, and literary critic. In 1965 he founded the literary periodical Los Sesenta (the Sixties), with editors that included the poets Jorge Guillén and Rafael Alberti .

  2. Max Aub Mohrenwitz (París, 2 de junio de 1903-Ciudad de México, 22 de julio de 1972) fue un escritor español de origen francés y alemán. Tras la guerra civil española se exilió en México, país del que tomó la nacionalidad y en el que vivió hasta su muerte.

  3. www.themodernnovel.org › europe › w-europeMax Aub - The Modern Novel

    Max Aub was born in Paris in 1903. His father was German while his mother was French but of German-Jewish origin. His father became a travelling salesman, before settling down to business in Seville. The family moved to Paris where Max was born and he was brought up speaking French and German. When the war broke out in 1914, the family moved to ...

  4. Mar 6, 2010 · Max Aub was a novelist and playwright of remarkable originality who spent his live chronicling the conflict that had torn his country apart and catapulted him into exile. Almost forty years after his death, Verso has published Field of Honour, the first of Aub's 6-volume Civil War cycle.

  5. Learn about the life and work of Max Aub, a Mexican-Spanish novelist, playwright and literary critic who wrote about the Spanish Civil War and other topics. Explore the donation of his books, letters and a visitor's album from his daughter María Luísa.

  6. Max Aub Mohrenwitz was a Spanish experimentalist novelist, playwright and literary critic. In 1965 he founded the literary periodical Los Sesenta (the Sixties), with editors that included the poets Jorge Guillén and Rafael Alberti.

  7. Jun 16, 2017 · Read this article. While Max Aub’s unique and prolific body of work has been the subject of numerous studies and monographs, his work remains undervalued in transnational contexts. An analysis of two of his plays, San Juan (1943) and El rapto de Europa (1946), and a collection of poems, Diario de Djelfa (1944), makes it possible to rethink ...

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