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  1. Matthew Robbins

    Matthew Robbins

    American screenwriter and director

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  1. Matthew Robbins is a prolific and versatile filmmaker who has worked on various genres and collaborated with renowned directors and writers. He is known for his screenplays for The Sugarland Express, Dragonslayer, Mimic, Crimson Peak and Pinocchio, among others.

    • Writer, Director, Actor
    • July 15, 1945
    • Matthew Robbins
  2. Matthew Robbins (born July 15, 1945) is an American screenwriter and film director [1] best known for his writing work within the American New Wave movement. He collaborated with numerous filmmakers within the movement including George Lucas, Walter Murch and Steven Spielberg, on films like The Sugarland Express, Close Encounters of the Third ...

  3. Apr 15, 2023 · Director Matthew Robbins talks about the remastered 4K release of Dragonslayer, his 1981 fantasy film, and his collaboration with Guillermo del Toro. He also reveals the influences of Star Wars, Fantasia, Kurosawa, and Lord of the Rings on his movie.

  4. Apr 4, 2023 · Matthew Robbins, co-writer and director of the 1981 dark fantasy movie Dragonslayer, talks about the process behind the iconic dragon Vermithrax and his collaboration with ILM and Guillermo del Toro. He also reflects on the new 4K and Blu-ray release of the film and his involvement in Pinocchio.

  5. Mar 27, 2023 · Published Mar 27, 2023. Screenwriter and filmmaker Matthew Robbins opens up about his fantasy film and working with Guillermo del Toro. Paramount Pictures. Sure, there's HBO's House of the...

  6. Matthew Robbins. Find on IMDB. Find on Wikipedia. Reviews. Rangoon (2017) Simon Abrams. Writer. Crimson Peak (2015) Sheila O'Malley. Screenplay. Don't Be Afraid of the Dark (2011) Roger Ebert. Written by. Mimic (1997) Roger Ebert. Written by. Batteries Not Included (1987) Roger Ebert. Directed by. Blog Posts. TV/Streaming.

  7. Dec 10, 2022 · “We were turned down everywhere,” says Matthew Robbins, who wrote the first few drafts of Pinocchio and shares a co-writer credit on it with del Toro. “The Disney imprimatur was so severe that our version took studios by surprise, to put it mildly.

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