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  1. en.m.wikipedia.org › wiki › Mark_NeveldineMark Neveldine - Wikipedia

    Mark Neveldine (born May 11, 1973) is an American filmmaker. He is best known for frequently collaborating with Brian Taylor as Neveldine/Taylor.

  2. Mark Neveldine was born in Watertown, New York, USA. He is a writer and director, known for Gamer (2009), Crank (2006) and Crank: High Voltage (2009). He has been married to Alison Lohman since 19 August 2009. They have three children.

  3. Mark Neveldine and Brian Taylor are two American filmmakers who formerly collaborated as a filmmaking duo. They are sometimes referred to as Neveldine & Taylor or Neveldine/Taylor. Their written and directed productions are known for being dark, edgy, bizarre, and over-the-top, while maintaining a small budget.

  4. m.imdb.com › title › tt4029412Panama (2022) - IMDb

    Mar 18, 2022 · Panama: Directed by Mark Neveldine. With Cole Hauser, Mel Gibson, Mauricio Hénao, Kiara Liz. An ex-marine is hired by a defense contractor to travel to Panama to complete an arms deal.

  5. Jul 23, 2015 · Neveldine talked to us about his foray into short-story writing and the visual strategies used in The Vatican Tapes.

  6. Feb 10, 2012 · Mark Neveldine interview: Ghost Rider: Spirit Of Vengeance, flaming skulls, and breaking Marvel’s rules. In anticipation of Ghost Rider: Spirit Of Vengeance, we had a chat to Mark...

  7. Mark Neveldine. Highest Rated: 63% Crank: High Voltage (2009) Lowest Rated: Not Available. Birthday: May 11, 1973. Birthplace: Watertown, New York, USA. Mark Neveldine is a writer, director...

  8. Jul 21, 2015 · Could she be possessed? (I will give you one clue: The film is called The Vatican Tapes, referring to the Catholic Church’s archive of evidence regarding demonic possession. So yes. Yes, she could...

  9. Mark Neveldine is an American film director, film producer, screenwriter and camera operator. He is best known for frequently collaborating with Brian Taylor as Neveldine/Taylor.

  10. Nov 11, 2023 · Fourteen years after its release, Mark Neveldine and Brian Taylors GAMER stands as a monolithic achievement in freneticism and chaos. Its images are those you’d expect from video art, and bear a striking resemblance to the subsequent post-internet works of Ryan Trecartin.

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