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  1. Jóhann Gunnar Jóhannsson (Icelandic pronunciation: [ˈjouːhan ˈjouːhansɔn]; 19 September 1969 – 9 February 2018) was an Icelandic composer who wrote music for a wide array of media including theatre, dance, television, and film. His work is stylised by its blending of traditional orchestration with contemporary electronic elements.

  2. The official YouTube channel of the late Icelandic, post-classical composer Jóhann Jóhannsson. Channel managed and run by his mgmt and estate.

  3. Jóhann Jóhannsson was born on 19 September 1969 in Reykjavík, Iceland. He was a composer and writer, known for Last and First Men (2020), The Theory of Everything (2014) and Sicario (2015). He died on 9 February 2018 in Berlin, Germany.

  4. Sep 19, 2023 · Composer Jóhann Jóhannsson created an entirely new musical idiom by fusing together minimalist elements, traditional forms, symphonic expansiveness, and both acoustic and electronic sounds.

  5. Feb 10, 2018 · Jóhann Jóhannsson, Icelandic electronic musician and Oscar-nominated film composer of The Theory of Everything, Sicario and Arrival, has died at the age of 48.

  6. Feb 10, 2018 · Icelandic composer Jóhann Jóhannsson, one of the avant-garde's most beloved film scorers, died Friday in Berlin, Germany. His death was confirmed by his manager, Tim Husom, but according to an...

  7. http://KEXP.ORG presents Jóhann Jóhannsson with the American Contemporary Music Ensemble performing live in the KEXP studio. Recorded April 20, 2017.Songs:A ...

  8. Feb 11, 2018 · Jóhann Jóhannsson: 1969-2018. Nick Allen February 11, 2018. Tweet. The film world lost one of its greatest musical visionaries on Friday with the sudden passing of Jóhann Jóhannsson, at the age of 48.

  9. Sep 18, 2020 · Jóhann Jóhannsson (1969–2018) was a leading figure in a dynamic and developing scene of composers who move freely and innovatively between film scores, minimalist classical, ambient and electronic music.

  10. Feb 10, 2018 · Through his work with director Denis Villeneuve, composer Jóhann Jóhannsson invited audiences to think, instead of telling them how to feel.

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