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Daniel Nicholas Cohen (born 15 January 1974) is a British television executive who currently serves as President of Access Entertainment which invests in film, television and digital companies and content.
Danny Cohen. Cinematographer: Les Misérables. Danny Cohen was born in London in 1963. He took a social sciences degree at Sheffield Polytechnic and had a long time interest in photography, particularly stills work.
Daniel Cohen, BSC (born 1963) is an English cinematographer. A member of the British Society of Cinematographers, he has worked on many feature films and television series, and is known for his collaborations with Tom Hooper, Stephen Frears, Shane Meadows, and Lenny Abrahamson.
Danny Cohen (December 9, 1937 – August 12, 2019) was an Israeli American computer scientist specializing in computer networking. He was involved in the ARPAnet project and helped develop various fundamental applications for the Internet.
Aug 16, 2019 · Aug. 16, 2019. Danny Cohen, a computer scientist whose work in the 1960s and ’70s on computer graphics and networks led to innovations in flight simulation, internet telephony, cloud...
Mar 15, 2024 · “The Zone of Interest” executive producer Danny Cohen has become the first member of the film’s production team to publicly address director Jonathan Glazer’s Oscars speech, saying “I ...
Oct 13, 2015 · Danny Cohen was always a strong and passionate defender of the BBC in his eight years at the Corporation. So it is perhaps no surprise that he chose to outline the reason...
Mar 15, 2024 · Danny Cohen, executive producer of Jonathan Glazer ‘s Holocaust drama The Zone Of Interest, has said he “fundamentally disagrees” with the director’s politically-orientated Oscars...
Aug 20, 2019 · Danny Cohen, a distinguished computer scientist who helped develop the first digital visual flight simulator for pilot training, early digital voice conferencing and cloud computing, has died...
Dec 3, 2015 · Even though Oscar-nominated cinematographer Danny Cohen shot “The Danish Girl” and “Room” on the same camera — the Red Epic Dragon — the two films could not look any more different.
