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Ptolemaic Productions was founded in 2006 by Barry and Felicia Ptolemy to create high-quality, entertaining film and television projects. ABOUT THERAPY STUDIOS Therapy Studios is an award-winning post-production company whose work spans commercial, feature, and online media.
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The Ptolemaic rulers supported Egyptian cults and priesthoods. During the first three reigns of the Ptolemaic dynasty, temple building projects of Dynasty 30 were continued by the new kings and official classes, closely following Egyptian styles ( 12.182.4a ).
Ptolemaic art was produced during the reign of the Ptolemaic Rulers (304–30 BC), and was concentrated primarily within the bounds of the Ptolemaic Empire. At first, artworks existed separately in either the Egyptian or the Hellenistic style, but over time, these characteristics began to combine. The continuation of the Egyptian art style ...
William Morris Endeavor distributed the film partnership with Ptolemaic Productions and Therapy Studios, using an original model involving a nationwide screening tour of the film (featuring Q&A sessions with Ptolemy and Kurzweil), as well as separate digital and DVD releases.
Sep 24, 2019 · The main industries in Ptolemaic Egypt included the production of grain as well as the production of exquisite and finely crafted glassware and jewelry. The Ptolemies were very sensitive to the Egyptian religion and made many concessions to the religious beliefs and proclivities of the native Egyptians.
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Ptolemaic kings were prolific builders and they constructed huge temples at Edfu, Esna, Dedera, Kom Ombo, and Philae, among others. Beyond the religious realm, King Ptolemy II founded the famous Library of Alexandria, which at its height contained around 700,000 scrolls.
Sep 29, 2016 · The Ptolemaic Dynasty controlled Egypt for almost three centuries (305-30 BCE), eventually falling to the Romans. Oddly, while they ruled Egypt, they never became Egyptian . Instead, they isolated themselves in the capital city of Alexandria , a city envisioned by Alexander the Great .
