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  1. Manuel Tamayo y Baus (15 September 1829 – 20 June 1898) was a Spanish dramatist. Life. He was born at Madrid, into a family connected with the theatre, his mother being the eminent actress Joaquina Baus. She appeared as Geneviève de Brabant in an arrangement from the French made by Tamayo when he was in his twelfth year. Through the ...

    • 20 June 1898 (aged 68), Madrid, Spain
    • Manuel Tamayo y Baus, 15 September 1829, Madrid, Spain
    • Juan González Cabo-Reluz
    • Emilio Ferrari [es]
  2. Manuel Tamayo y Baus (Madrid, 15 de septiembre de 1829 - ibíd., 20 de junio de 1898) [1] fue un dramaturgo español. Biografía [ editar ] Retrato de Manuel Tamayo y Baus (1892), por Eduardo Balaca , Biblioteca Nacional de España , Madrid .

  3. Tamayo y Baus, Manuel. Madrid, 15.IX.1829 – 20.VI.1898. Escritor. Manuel Tamayo y Baus nació en una familia relacionada con el mundo del teatro: su padre, José María Tamayo, era primer actor y director de escena, y su madre, Joaquina Baus, actriz y primera dama en el Teatro del Príncipe de Madrid.

  4. Apr 10, 2024 · Manuel Tamayo y Baus (born Sept. 15, 1829, Madrid, Spain—died June 20, 1898, Madrid) was a Spanish dramatist who, with Adelardo López de Ayala y Herrera, dominated the Spanish stage in the mid-19th century. He was a key figure in the transition from Romanticism to Realism in Spanish literature.

    • The Editors of Encyclopaedia Britannica
  5. Manuel Tamayo y Baus (Madrid, 1829 - id., 1898) Dramaturgo español. Inició su carrera teatral estrenando una adaptación de Genoveva de Brabante, de Anicet Bourgeois, y en 1847 adaptó al castellano La doncella de Orleans, de Friedrich Schiller, con el título de Juana de Arco.

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  7. Manuel Tamayo y Baus. Writer. IMDbPro Starmeter See rank. Son of actors and playwrights and relative of influential politicians, his early years were spent traveling with the theatre company belonging to their parents.

  8. Académicode número. Madrid, 1829-1898. Tomó posesión el 12 de junio de 1859 con el discurso titulado La verdad considerada como fuente de belleza en la literatura dramática. Le respondió, en nombre de la corporación, Aureliano Fernández-Guerra y Orbe.

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