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  1. Nia DaCosta
    American director and screenwriter

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  1. en.wikipedia.org › wiki › Nia_DaCostaNia DaCosta - Wikipedia

    Nia DaCosta (born November 8, 1989) is an American film director, screenwriter, and producer. She made her feature film debut as a writer and director for her crime thriller film Little Woods (2018). Nia garnered wide acclaim for winning the Nora Ephron Prize for Female Filmmakers at the Tribeca Film Festival. [1]

  2. www.imdb.com › name › nm4804442Nia DaCosta - IMDb

    Nia DaCosta is a Brooklyn-born filmmaker who has written and produced movies such as Candyman, Little Woods and The Marvels. She also co-created the podcast series Ghost Tape and is working on the upcoming Hedda and The Lincoln Conspiracy.

    • January 1, 1
    • 3 min
    • Brooklyn, New York City, New York, USA
  3. Nia DaCosta (born November 8, 1989, Brooklyn, New York, U.S.) is a filmmaker who, at age 34, became the youngest director and the first African American woman to helm a Marvel Cinematic Universe (MCU) film, with the 2023 superhero sequel The Marvels.

    • Alison Eldridge
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  5. Aug 31, 2021 · It's a good week to be director Nia DaCosta. Not only did her new film, horror flick Candyman, have a spectacular opening weekend, she made history in the process, becoming the first Black...

  6. Sep 19, 2023 · New Directions. October 2023 Issue. Nia DaCosta, Barrier-Breaking Director of The Marvels, on Navigating the Blockbuster Machine. “The thing I’ve been most surprised by lately,” says the...

  7. Nov 11, 2023 · Nia DaCosta, the youngest director in the MCU, talks about her vision, advice, and challenges for The Marvels, the Captain Marvel sequel. She reveals how she rewatched Iron Man 3, collaborated with the cast, and nerded out with Iman Vellani.

  8. Nov 9, 2023 · The filmmaker talks about her vision, challenges and inspiration for the superhero movie starring Brie Larson, Teyonah Parris and Iman Vellani. She also reveals how she became the youngest and first Black woman to helm a Marvel Studios picture.

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