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Actress: Cars. Lindsey Collins joined Pixar Animation Studios in May 1997. She has since worked in various capacities on a number of Pixar's feature films. Collins' film credits include "A Bug's Life," "Toy Story 2" and the Academy Award®-winning "Finding Nemo," and "Ratatouille."
- Actress, Producer, Additional Crew
- 3 min
- Overview
- Filmography
Lindsey Collins joined Pixar in 1997. She co-produced WALL•E, for which she received an award for Outstanding Animation in an Animated Motion Picture from the Visual Effects Society (along with Andrew Stanton, Jim Morris and Nigel Hardwidge). She has also worked on Finding Nemo, Toy Story 2 and A Bug's Life.
Prior to Pixar, Collins worked for The Walt Disney Company on films such as Pocahontas, The Hunchback of Notre Dame and Hercules.
•A Bug's Life (1998): lighting manager
•Toy Story 2 (1999): editorial manager
•Finding Nemo (2003): production manager
•Cars (2006): voice of Mia
•Ratatouille (2007): additional production management
•WALL•E (2008): co-producer
Lindsey Collins is a producer and voice actor at Pixar Animation Studios. She has worked on films such as \"Finding Nemo,\" \"WALL.E,\" and \"Finding Dory.\"
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It was directed by Domee Shi (in her feature directorial debut) and produced by Lindsey Collins, from a screenplay written by Shi and Julia Cho, and a story by Shi, Cho, and Sarah Streicher. The film marks the first Pixar feature film solely directed by a woman.
Dec 6, 2022 · Lindsey Collins is the producer of Pixar's latest film, Turning Red, which explores the mother-daughter bond and the inner beast of adolescence. She shares her insights on the film's inspiration, the red panda metaphor, and the female-led story.
- Ryan Fleming
Mar 11, 2022 · Learn how the director and producer of Pixar's latest movie, Turning Red, created a relatable story about a girl who turns into a red panda. Find out their inspiration, advice, and personal connections to the film.
Mar 12, 2022 · Lindsey Collins is a producer on Turning Red, a Pixar film about a 13-year-old girl who turns into a red panda. She talks about working on the film during a pandemic, collaborating with director Domee Shi, and why the story is set in Toronto.
