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      • James Wood is a British screenwriter. Wood is perhaps best known for his writing on the BBC adaptation of Evelyn Waugh 's Decline and Fall and as a writer and creator of Quacks.
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  1. Screenwriter, film director, television producer, Nationality. British. Notable works. Quacks. James Wood is a British screenwriter . Wood is perhaps best known for his writing on the BBC adaptation of Evelyn Waugh 's Decline and Fall and as a writer and creator of Quacks.

  2. James Wood has been a staff writer and book critic at The New Yorker since 2007. In 2009, he won the National Magazine Award for reviews and criticism. He was the chief literary critic at the...

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  3. James Douglas Graham Wood (born 1 November 1965) is an English literary critic, essayist and novelist. Wood was The Guardian ' s chief literary critic between 1992 and 1995. He was a senior editor at The New Republic between 1995 and 2007.

  4. Jan 15, 2020 · James Wood is a staff writer at The New Yorker and Professor of the Practice of Literary Criticism at Harvard University. He is the author of How Fiction Works, as well as the essay collections, The Broken Estate and The Irresponsible Self, and the novels, The Book Against God and Upstate.

  5. Nov 19, 2008 · November 19, 2008. How Wood Works: The Riches and Limits of James Wood. James Wood may be the best literary critic we have, but the status he enjoys reveals just how far we have fallen. William...

  6. James Wood is the Bafta wining writer and creator of Freezing, Rev and Ambassadors (all BBC2). James’ most recent project is The Gamechangers, the BBC’s dramatisation starring Daniel Radcliffe and Bill Paxton which goes behind the scenes of the creation of Grand Theft Auto, the fastest selling entertainment product in history.

  7. Feb 15, 2013 · James Wood’s lighter side. Sarah Sweeney. Harvard Staff Writer. February 15, 2013 8 min read. Leading critic on musical diversion and a looser approach to fiction. Gazette writer Sarah Sweeney sat down with James Wood, a professor of the practice of literary criticism and a critic with The New Yorker, to discuss his new book, “The Fun Stuff.”

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