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  1. en.wikipedia.org › wiki › Booker_ErvinBooker Ervin - Wikipedia

    Out Front! (Prestige, 1964) With Teddy Charles. Jazz In The Garden At The Museum Of Modern Art (Warwick, 1960) With Ted Curson. Urge (Fontana, 1966) With Núria Feliu. Núria Feliu with Booker Ervin (Edigsa, 1965) With Roy Haynes. Cracklin' (New Jazz, 1963) With Andrew Hill. Grass Roots (Blue Note, 1968) With Eric Kloss. In the Land of the ...

  2. en.wikipedia.org › wiki › Exultation!Exultation! - Wikipedia

    Exultation! is an album by American jazz saxophonist Booker Ervin featuring performances recorded in 1963 for the Prestige label. It was first released in 1963, then reissued in 1971 with two alternate takes labeled "short version" (the a- and b-sides of a 1963 single, "No Land's Man" backed with "Just in Time").

  3. Dec 22, 2017 · The Good Book — The Early Years 1960-62. (Acrobat) Booker Ervin’s unique tenor sax voice was forged out of road-trip necessity and the hollers and moans of chittlin-circuit R&B. Born in Texas ...

  4. Listen to Out Front by Booker Little on Apple Music. 1961. 7 Songs. Duration: 44 minutes. Album · 1961 · 7 Songs. ... Booker Ervin & Booker Little. The Third World.

  5. The 20 minute “The Trance” might as well be Booker’s version of A Love Supreme. These are 2 very different albums, and I think it did them both a disservice to mash them together in one release. Lament for Booker Ervin (live 1965), recorded 2 days after Setting the Pace, features some fine blues blowing. At the end of the album, released ...

  6. Booker Ervin chronology. Booker 'n' Brass. (1967) The In Between. (1968) Tex Book Tenor. (1968) The In Between is an album by American jazz saxophonist Booker Ervin recorded in 1968 and released on the Blue Note label. [2]

  7. en.wikipedia.org › wiki › That's_It!That's It! - Wikipedia

    Reception. The contemporaneous DownBeat reviewer, Ira Gitler, commented that the album was Ervin's best work up to that time. The AllMusic review by Scott Yanow awarded the album 4½ stars and stated: "Booker Ervin, who always had a very unique sound on the tenor, is heard in prime form on his quartet set".

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