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  1. en.wikipedia.org › wiki › Jay_DratlerJay Dratler - Wikipedia

    Jay Dratler (September 14, 1910 – September 25, 1968) was an American screenwriter and novelist.

  2. Biography. Jay Dratler, Jr. is the Goodyear Professor of Intellectual Property at The University of Akron School of Law. He is the principal author of a two-volume treatise, Intellectual Property Law: Commercial, Creative, and Industrial Property (1991), the sole author of another two-volume treatise, Licensing of Intellectual Property (1994 ...

  3. www.imdb.com › name › nm0237225Jay Dratler - IMDb

    Jay Dratler was born on 14 September 1911 in New York City, New York, USA. Jay was a writer and producer, known for Laura (1944), Call Northside 777 (1948) and Breaking Point (1963). Jay died on 21 September 1968 in Mexico City, Mexico.

    • Writer, Additional Crew, Producer
    • September 14, 1911
    • Jay Dratler
    • September 21, 1968
  4. Biography by AllMovie [+] Jay Dratler was one of the key screenwriters in the field of film noir -- a successful novelist from New York with an international education, he had a special touch when it came to devising and telling crime-related stories.

    • September 14, 1911
    • September 21, 1968
  5. Jay Dratler (September 14, 1910- September 25, 1968) was an American screenwriter and novelist. Born in New York City, his mother was from Austria. After attending the University of North Carolina at Chapel Hill in the late 1920s, he studied at the Sorbonne in France and the University of Vienna, becoming fluent in French and German.

  6. Jay Dratler was born on September 14, 1911 in New York City, New York, USA. Jay was a writer and producer, known for Laura (1944), Call Northside 777 (1948) and Breaking Point (1963). Jay died on September 21, 1968 in Mexico City, Mexico.

  7. Dec 13, 2022 · While the 1948 film Pitfall has risen to be regarded as a film noir classic, Jay Dratlers original 1947 novel The Pitfall has been unjustly neglected. Stark House Press, re-releasing the book for the first time since 1956, reveals that Dratlers novel is darker, sleazier and less forgiving than the film it inspired.

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