Trading Places
1983
Search results
George Joseph Folsey Jr. (born January 17, 1939) is an American film producer, editor, assistant director and cinematographer who frequently worked with director John Landis in the 1980s.
George, Jr. Awards. American Society of Cinematographers Lifetime Achievement Award 1988. George Joseph Folsey, A.S.C., was an American cinematographer who worked on 162 films from 1919 to his retirement in 1976.
Pages in category "Films produced by George Folsey Jr." The following 15 pages are in this category, out of 15 total. This list may not reflect recent changes .
George Folsey Jr. is known for The Blues Brothers (1980), Clue (1985) and Coming to America (1988).
Nov 29, 2020 · Today I have the happy pleasure of welcoming a very special guest, film editor George Folsey Jr., to CINEMATIC REVELATIONS for an interview. George has edited a great many movies over the years, some of these including HAMMER, BLACK CAESAR, GLASS HOUSES [my review of the film can be found here] and J.D.’s REVENGE, considered one of the best ...
George Folsey Jr. is known for The Blues Brothers (1980), Clue (1985) and Coming to America (1988).
George Folsey, Jr. Biography (1939-) Born January 17, 1939, in Los Angeles, CA; son of George, Sr. (a cameraman) and Angele Folsey; married Belinda Comer. Addresses: AGENT--Mike Marcus, Creative Artists Agency, 1888 Century Park E., Los Angeles, CA 90067.
George Folsey Jr. is known as an Editor, Producer, Actor, Executive Producer, Associate Producer, Second Unit Director, Film Processor, Cinematography, and Co-Producer. Some of his work includes Coming to America, The Blues Brothers, Hostel, Cheaper by the Dozen, Hot Tub Time Machine, Hostel: Part II, The Pink Panther, and Animal House.
View George Folsey Jr.’s profile on LinkedIn, the world’s largest professional community. George has 1 job listed on their profile.
- 77 followers
Pioneer cinematographer George Folsey started out in 1914 as an errand boy with the Lasky Feature Play Company in New York. His introduction to camerawork came, when he was asked by cinematographer H. Lyman Broening to assist with post-production (tracking dissolve and fades for intercutting).
