Annette
2021
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1984–present. Alex Christophe Dupont [1] [2] (born 22 November 1960), best known as Leos Carax ( French: [leɔs kaʁaks] ), is a French film director, critic and writer. Carax is noted for his poetic style and his tortured depictions of love. His first major work was Boy Meets Girl (1984), and his notable works include Les Amants du Pont-Neuf ...
Leos Carax is a French director, writer, actor and composer known for his visually stunning and thematically ambitious films. Explore his career, credits, photos, videos and trivia on IMDb, the world's most popular and authoritative source for movie, TV and celebrity content.
- January 1, 1
- 1.68 m
- Suresnes, Seine [now Hauts-de-Seine], France
Leos Carax au festival de Cannes 2012. Alex Dupont 1, dit Leos Carax, est un réalisateur français né le 22 novembre 1960 à Suresnes . Connu pour ses œuvres oniriques qui mélangent bizarrerie et tragédie, il a notamment réalisé les longs métrages Les Amants du Pont-Neuf (1991), Holy Motors (2012) et Annette (2021).
- 22 novembre 1960 (63 ans)Suresnes ( France)
- Alex Christophe Dupont
- Française
- Acteur et réalisateur
Aug 13, 2021 · Vincent Tullo for The New York Times. Leos Carax, the enigmatic French director behind spectacularly peculiar films like “Holy Motors,” would rather be talking about love. Or beauty. Or ghosts ...
- Beatrice Loayza
Aug 26, 2021 · Leos Carax has lost control. In a career of highs, lows and notoriety, the director has been called a genius. A “raving lunatic” too. Now on Zoom, there is only darkness.
Aug 4, 2021 · On paper, Carax’s third film, “Les Amants du Pont-Neuf” did not initially appear to be different from his earlier efforts—who could have possibly dreamed it would inspire a production that would live in infamy and make both the film and Carax into instant legends, both for good and for ill. Set primarily on and around the fames Parisian ...
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May 29, 2024 · Discover the Official Trailer of IT'S NOT ME, Leos Carax’s new film, presented in World Premiere at the Cannes Film Festival.This ‘free-form film’ spans 40 y...
