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  1. Vanessa Place (born 1968) is an American writer and criminal appellate attorney. She is the co-director of the Los Angeles-based Les Figues Press. Place has also worked as an occasional screenwriter on television shows such as Law & Order: Special Victims Unit and Xena: Warrior Princess with producer Liz Friedman .

  2. A leading practitioner of conceptual writing, Vanessa Place was the first poet to perform as part of the Whitney Biennial; a content advisory was posted. Place is also a conceptual artist, a critic, a criminal defence attorney, and CEO of VanessaPlace Inc, the world’s first poetry corporation.

  3. Vanessa Place. Poet and criminal defense attorney Vanessa Place earned a BA at the University of Massachusetts at Amherst, an MFA at Antioch University, and a JD at Boston University. In her conceptual poetry, Place explores the impact of context and expectation.

  4. Read poems by this poet. Born on May 10, 1968, and raised in the U.S. Army, Vanessa Place received a BA from the University of Massachusetts at Amherst, an MFA from Antioch University, and a JD from Boston University. Her books of poetry and conceptual writing include Dies: A Sentence (Les Figues, 2006), a 50,000-word, one-sentence novel in ...

  5. Mar 5, 2012 · Place is most certainly a literary and intellectual force whose work challenges what we mean by the word Poetry. Her two latest works, Statement of the Case and Argument (Blanc Press 2011), complete her trilogy, Tragodia.

  6. Vanessa Place: An Interview In Paris. University of Paris 13, Sorbonne Paris Cité, June 7 th, 2012. Marion Charret-Del Bove et Françoise Palleau-Papin. https://doi.org/10.4000/transatlantica.5724. Index | Plan | Texte | Bibliographie | Notes | Citation | Auteurs.

  7. from Dies: A Sentence. Vanessa Place. 1968 –. The maw that rends without tearing, the maggoty claw that serves you, what, my baby buttercup, prunes stewed softly in their own juices or a good slap in the face, there's no accounting for history in any event, even such a one as this one, O, we're knee-deep in this one, you and me, we're ...

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