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  1. It features sampling, synthesizers such as the Moog and ARP, and contributions from acts including the jazz-rock groups the L.A. Express and the Jazz Crusaders and James Taylor, David Crosby, and Graham Nash.

  2. The album was her biggest seller to date, only topped by her next record Court & Spark – the album that saw Mitchell abandon the notion of performing acoustic and solo and instead saw her ‘go electric’ featuring an actual band of jazz musicians and friends like David Crosby, Graham Nash, The Band’s Robbie Robertson, Jose Feliciano ...

  3. Buy Songbook. Amazon USA. Canada. UK. When a Brazilian photo-journalist named Wolf Jesco Von Puttkamer took an assignment in the mid-70s to document the lives of the Kreen-Akrore, a reclusive tribe of Amazonian hunters later known as the Panara, there were serious doubts about whether they'd survive the decade.

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  5. Jun 3, 2019 · listening to joni: #7: the hissing of summer lawns. Joni's seventh studio album (her ninth album overall) is both a continuation and a departure. The Hissing of Summer Lawns is rich and multi-layered, somewhat enigmatic, full of interesting images and sounds that are open to interpretation.

  6. Nov 27, 2023 · Beginning with a 1971 session with Graham Nash and David Crosby, the set moves through recordings and performances during the years spanning the releases of the albums For the Roses (1972), Court and Spark (1973), the live Miles of Aisles (1974), and The Hissing of Summer Lawns (1975).

  7. Nov 1, 2020 · The Hissing of Summer Lawns. Watch on. Mitchell’s fans had acquired a taste for gossip. Taylor Swift isn’t the first songwriter to use her personal life as grist for the mill. Mitchell’s laundry list of lovers includes Leonard Cohen, David Crosby, Graham Nash, James Taylor, and others.

  8. Sep 4, 2020 · The Hissing of Summer Lawns is beautiful jazz/rock that melts in your mind and serves as a setup for the next track, “Harry’s House/Centerpiece,” the story of a soon-to-be-emancipated wife written in two sections. Sweet Bird recalls the dry pieces of old, and the album ends with the mostly a capella “Shadows and Light.”

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