In the Bedroom
2001
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Ted Hope (born 1962) is an American independent film producer based in New York City. He is best known for co-founding the production/sales company Good Machine , where he produced the first films of such notable filmmakers as Ang Lee , Nicole Holofcener , Todd Field , Michel Gondry , Moisés Kaufman , and Shari Springer Berman and Robert ...
Ted Hope. Producer: The Ice Storm. Filmworker -- that's how Ted describes himself. He's a producer of over 70 films, studio executive on over 60, CEO of a start-up streamer, co-head of 3 production companies, executive director of a film society & festival, a Professor Of Practice at 2 universities, and founder of a post-production facility, 2 ...
- January 1, 1
- Ted Hope
Ted Hope, who oversaw prestige films like \"Manchester by the Sea\" and \"The Big Sick\" at Amazon Studios, is transitioning to a first-look producing deal with the streamer. He will consult on upcoming releases and produce select projects on the development slate.
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Nov 15, 2023 · Ted Hope, a producer of over 70 films including \"Happiness\" and \"Cassandro\", shares his insights on the challenges and opportunities of independent filmmaking at IDFA. He discusses the differences between fiction and documentary, the role of technology and representation, and his optimism for a new wave of expression.
Aug 3, 2023 · Aug 3, 2023 3:27am PT. Former Amazon Studios Executive Ted Hope Lambasts Studios and Streamers: ‘Two Film Unions Striking Proves the System Is Built to Be Unfair’. By. Nick Vivarelli, John...
- Nick Vivarelli
Aug 4, 2023 · Ted Hope On The “Combative Environment” At Amazon, Why He Is Skeptical Of SAG-AFTRA’s Interim Agreements & The Future Of Indie Filmmaking — Locarno. By Zac Ntim. August 4, 2023 8:37am. Ted ...
Nov 24, 2014 · Ted Hope — producer, Good Machine co-founder, and now CEO of Fandor — is no tongue-tied wallflower in the independent film community. Indeed, his passionate commentary, counsel and editorializing on topics ranging from net neutrality to making better films to a “systems reboot” of the independent film economy seem to be everywhere these days.
