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An Interview With Olivier's son, director Richard Olivier. From the London Times (April 11, 1999) Being Laurence Olivier's son was hell, but after years of anger Richard Olivier has finally found how to be himself. Once more into the breach with my father.
- Richard III
"The measure of Sir Laurence Olivier's genius for putting...
- Biography
Olivier, Laurence Kerr (BARON OLIVIER OF BRIGHTON). British...
- Richard III
Richard Olivier (1945-2021) was a Belgian filmmaker who worked on documentaries, dramas and comedies. He was the son of actress Joan Plowright and directed Willy Russell's play \"Shirley Valentine\".
- Director, Writer, Editor
- August 9, 1945
- Richard Olivier
- March 3, 2021
enquiry@oma.uk.com. Richard is the founding voice within Mythodrama. He has worked extensively in the fields of organisational and personal development and his work has been at the leading edge of bringing the world of theatre into the development of authentic leaders for over 20 years.
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Richard Olivier (9 August 1945 – 3 March 2021) was a Belgian filmmaker and documentarian. [1] Filmography. Short films. I’m Fed Up with Bananas (1970) Sheep as Far as You Can See (1971) The Tapdancer (1973) Phantasma (1975) Violent Mass (1975) The Motor Cyclist of the Apocalypse (1977) Plato (1980) The End (1982) The Fantastic Goal-Scorer (1983)
v. t. e. Laurence Kerr Olivier, Baron Olivier, OM ( / ˈlɒrəns ˈkɜːr əˈlɪvieɪ /; 22 May 1907 – 11 July 1989) was an English actor and director who, along with his contemporaries Ralph Richardson and John Gielgud, was one of a trio of male actors who dominated the British stage of the mid-20th century.
Jul 2, 2013 · Richard Olivier, son of Lawrence Olivier, uses Shakespearean plays to teach corporate executives how to be heroes in their organizations. Learn about the four kinds of heroes and how to adapt your leadership style to the situation.
Mar 30, 2017 · Richard Olivier is a leadership consultant who uses stories to explore great leadership themes and challenges. He talks about the state of our collective imagination, the need for shared imaginative spaces, and the role of evolutionary field generators.
