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Joel Collins was an outlaw who rode with Sam Bass and other desperadoes who pulled off one of the greatest train robberies in the Old West – the Big Springs train robbery in Nebraska. Collins was working as a bartender in San Antonio, Texas when Sam Bass met him.
- The Ship in “USS Callister”
- The Tablet in “Arkangel”
- The Memory Machine in “Crocodile”
- The Timer Device in “Hang The DJ”
- The “Dog” in “Metalhead”
- The Sensory Helmet in “Black Museum”
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“If somebody says, ‘Can you make a spaceship or a robot?’ both times your heart sinks, because being original is really tough,” Collins said. Fortunately, even with having to design two different versions of a traditional spaceship deck, Collins was able to riff on some well-established properties. “If you look at the way the ship ends up at the la...
Even though the apparatus in “Arkangel” is central to the ongoing conflict between mother and daughter, it’s perhaps the most de-emphasized design of any piece of tech in the entire series. “With ‘Arkangel,’ we didn’t try and be too clever again with the tech. If you look at the mobile phones, they’re thinner than any phone you’d have now. And the ...
For “Crocodile,” the simple story of a woman trying to outrun her murderous past, Collins and Brooker actively wanted to bring in a decidedly less digital feel to the chilly noir setting. Making a story set in the future have such a connection to the past made for a bit of a design quandary. “There’s this kind of tone in that film, which is in the ...
In some ways, phones of the future are the quintessential “Black Mirror” device. But when presented with the prospect of a dating-centered episode, Collins landed on something different. “Charlie had something round that he played with, and we discussed it being a round item rather than a phone. Partly so that it didn’t just feel like you were in a...
Part of what gives “Metalhead” its overwhelming dread (and incredibly dark humor at points), is the ways that the robotic Dog veers from its canine companions. Particularly, the way it jettisons one of its legs in the aftermath a car wreck gives the machine an even more imposing quality. “Charlie had a different idea, which was to have a different ...
If the first part of the season finale let you a little flustered, know that you’re not alone. “Yeah, to be honest, that’s kind of a…quite an out-there item,” Collins said of the glowing blue headgear that allows Dr. Peter Dawson (Daniel Lapaine) to feel the pain of both his patients and his lovers. Because of the experimental nature of the technol...
Learn how Joel Collins created the futuristic and dystopian worlds of "Black Mirror" Season 4. He reveals the stories behind the most memorable pieces of tech, from the ship in "USS Callister" to the memory machine in "Crocodile".
- Steve Greene
Joel Collins is known for his work on Black Mirror and His Dark Materials. He started as a designer and became an editor and producer, collaborating with Charlie Brooker on the anthology series.
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Crazy update from Joel Collins, a lots of new part AND the eagerly awaited 44'' / 58'' sleeper !!! 💥🔥 WE HIT 12k SUBSCRIBERS 🔥💥 All because of you 🙏 _...
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Joel Collins is known for His Dark Materials (2019), Doctor Who (2005) and Black Mirror (2011).
- Producer, Production Designer, Visual Effects
- Joel Collins
Jun 13, 2018 · Joel Collins is the only person who works on every episode of Netflix's sci-fi anthology series Black Mirror. He collaborates with co-showrunners Charlie Brooker and Annabel Jones to create a realistic and distinctive look for each story, using technology that is "painfully real".
Mar 18, 2019 · Joel Collins, who worked on 19 episodes of the sci-fi anthology, reveals how he created the look and tone of each dystopian world. He also talks about his new project, His Dark Materials, and his approach to design as visual scripting.
