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Theodor August Konrad Loos (18 May 1883 – 27 June 1954) was a German actor. The son of a watchmaker and instruments manufacturer, he left secondary school prematurely and worked for three years at an export firm for music instruments in Leipzig, and after that for his uncle, an art dealer in Berlin. He decided though to become an actor.
Theodor Loos was born on 18 May 1883 in Zwingenberg, Hesse, Germany. He was an actor and director, known for M (1931), Metropolis (1927) and Die Nibelungen: Siegfried (1924). He died on 27 June 1954 in Stuttgart, Germany.
Theodor Loos was born on May 18, 1883 in Zwingenberg, Hesse, Germany. He was an actor and director, known for M (1931), Metropolis (1927) and Die Nibelungen: Siegfried (1924). He died on June 27, 1954 in Stuttgart, Germany.
Theodor August Konrad Loos (* 18. Mai 1883 in Zwingenberg an der Bergstraße; † 27. Juni 1954 in Stuttgart) war ein deutscher Theater- und Filmschauspieler. Er ist unter anderem durch seine Rollen in Filmen von Fritz Lang bekannt.
Dec 1, 2021 · Theodore Loos, 75, who attacked his wife and two children in July 2019, was released from jail last month on "specific terms and conditions that he is required to abide by and his treatment...
Theodor August Konrad Loos (18 May 1883 – 27 June 1954) was a German actor. He acted on stage from 1912 to 1945. From 1913 he performed in more than 170 feature films, initially silent films.
The Other Side (German: Die andere Seite) is a 1931 German war film directed by Heinz Paul and starring Conrad Veidt, Theodor Loos and Friedrich Ettel. It is an adaptation of R.C. Sherriff's 1928 First World War play Journey's End which had been turned into a British-American film the previous year.
Theodor Loos was an actor who had a successful Hollywood career. Loos found his beginnings in film with roles in the Gertrud Arnold fantasy "Die Nibelungen" (1924) and the "Metropolis" (1926) film with Brigitte Helm.
Adolf Loos is best known as the foe of ornament and the advocate of functionalism: this reputation rests mainly on the widespread dissemi-nation of his notorious and paradoxical essay, "Ornament and Crime" (1912).' In this essay, as commonly understood, Loos advoca-ted an uncompromising anti-ornament position on functional grounds.
From Wikipedia, the free encyclopedia Theodor August Konrad Loos (18 May 1883 – 27 June 1954) was a German actor. He acted on stage from 1912 to 1945. From 1913 he performed in more than 170 feature films, initially silent films.
