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2020
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Harry Manfredini (born August 25, 1943 in Chicago, Illinois) is an American composer and jazz soloist, who has scored more than one hundred films, including most of the Friday the 13th series. He has had years of classical training, as well as twenty years in the popular music scene.
Harry Manfredini, perhaps best known for his genre scores including Friday the 13th and its sequels, here proves once again why he is a master at creating musical suspense. His score blends perfectly with the noir-like lighting, elevating the film from creepy to downright unsettling.
Film composer Harry Manfredini specializes in writing for horror films, but is also a song writer and jazz soloist. From his haunting dramatic scores for The Friday the 13th films, to his adventurous music for The Omega Code, Harry Manfredini has established himself as a motion picture music composer of the same style as Bernard Herrmann.
- January 1, 1
- 1 min
- Chicago, Illinois, USA
Harry Manfredini is a film composer and musician who has scored over one hundred films, including the FRIDAY THE 13TH series and SWAMP THING. He has a background in classical and popular music, and has also written a Broadway musical and children's films.
Feb 26, 2024 · In February 2024, we had the privilege of conducting a mail correspondence interview with Harry Manfredini, a composer whose name is synonymous with the chilling soundscapes of horror cinema. Best known for his iconic scores in the “Friday the 13th” series, Manfredini’s work has haunted the imaginations of filmgoers for decades.
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Film composer Harry Manfredini specializes in writing for horror films, but is also a song writer and jazz soloist. From his haunting dramatic scores for The Friday the 13th films, to his adventurous music for The Omega Code, Harry Manfredini has established himself as a motion picture music composer of the same style as Bernard Herrmann.
Apr 18, 2015 · Harry Manfredini talks about his career, his music and his experience working on the horror film franchise. He reveals how he met director Sean S. Cunningham, how he used a Korg synthesizer and how he felt about the violence in the films.
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